Faire le Bois

Megacities is a documentary about the slums of five different metropolitan cities.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Sound progression of two opposite landscapes.

A behind-the-scenes inside a news story that swept the US: a Zumba instructor, Alexis Wright, who lead a double life as a prostitute. With never-before-seen interviews from men on “the List,” local media and even her husband, Sex, Lies and Zumba will delve deeper into the operation, those involved, and just how this scandal took place in the small town of Kennebunk, Maine.

A documentary about the girls of the Mustang Ranch, a legal brothel in Nevada.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.

Meet Andrew Lindy: a man with a camera and sex on his mind. Andrew is a New Yorker who travels the world to capture beauty for various freelance jobs. Andrew chases beauty but he longs for a connection. On an assignment for ELLE magazine, Andrew travels to Cuba and brings his camera and appetite for women with him. This is a look at the lack of sexual taboo in Cuba, as well as the financial difficulties that lead to prostitution in some Cubans, for the purpose of survival.

British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.

Documents 18 months in the lives of three crack addicts in Lowell, Massachusetts.

Frederick Law Olmsted designed New York City's Central Park with Calvert Vaux over 150 years ago, and it remains an undisputed haven of tranquility amidst one of the largest, tallest, and most unnatural places on earth. This film examines the creation of America's great city parks in the late 1800s through the enigmatic eyes of Frederick Law Olmsted, visionary urban planner and landscape architect. In his own words, Olmsted and America's Urban Parks weaves together Olmsted's engaging and poignant personal story with those of the lasting masterpieces he left for us today, featuring Academy Award-winning actor Kevin Kline as the voice of Frederick Law Olmsted.

From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

To Olmsted, a park was both a work of art and a necessity for urban life. Olmsted’s efforts to preserve nature created an “environmental ethic” decades before the environmental movement became a force in American politics. With gorgeous cinematography, and compelling commentary this film presents the biography of a man whose parks and preservation are an essential part of American life.

In Bangkok, Thailand, women punch a clock and wait for clients in a brightly lit glass box; in the red-light district of Faridpur, Bangladesh, a madam haggles over the price of a teenage girl; and in the border town of Reynosa, Mexico, crack-addicted women pray to a deity named Lady Death.

Roll up, roll up, for all the fun of the fair as Sunderland celebrates the August bank holiday.

Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.

High Class Call Girls is a a revealing glimpse into the lives of Emily B and Cookie Jane, two self-dubbed high class call girls who charge thousands of pounds for a night with clients who find them through new location-based apps.

after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.

Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."