The Lost Media of Aaron Aaron Byrne

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the first series of murders, as Sidney Prescott acclimates to college life, someone donning the Ghostface costume begins a new string of killings.

While Sidney Prescott and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, another Ghostface killer rises to terrorize them.

A group of friends head out for what is expected to be a vacation of hiking, camping and a good time, but when a backwoods mama finds them on her turf, it becomes anything but a vacation.

Lured by Diana, Katherine runs away from home. The foolish girl is soon drawn into the whirlpool. She meets Mace, a notorious man-about-town, and is fascinated by him. Doctor Busby, an insane physician, recognizes in Mace the man who had caused his daughter's death. Shortly afterward, Katherine discovers Mace's real character. Wild with rage, she stabs him.

The majority of the story occurs in the office of Dr. Harper, a psychiatrist, where a man named Lester Billings talks to the doctor about the "murders" of his three young children.

Selfwatch

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

A tape is found holding footage of a group of teenagers who, 40 years prior, explored a not so abandoned house.

A Culpa é do Sol

Dias Atípicos

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

When a young gay lawyer arrives on Fire Island to explore his sexuality, he becomes witness to a murder after being drugged. A stranger helps him to safety, but he soon discovers his saviour is friends with the killer.

Last Dance

Megha's Divorce

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love, and THEY MUST ALL DIE.

Kellou, in her forties, lives in Bol, the capital of Sahel’s province. She’s a fisher, profession transmitted from mother to daughter. She learned it from her mother. But since a few years, Lake Tchad has been shrinking, and fish has become rare. Kellou’s job is threatened. One day, after an un- successful catch, her 12 year old daughter Mouna gives her an idea: pick up plastic bags invading the lake and make ropes out of it to sell them on the market. By this simple gesture, Kellou gets to, in her own way, fight against plastic pollution and adapt to the new conditions brought about by climate change.