Kidschool

A destitute hitchhiking college dropout meets the girl of his fantasies at a local diner, stirring up fury-fueled bloodlust that she seems to encourage, almost too completely.

Follows Supernova, a young Christian, and the backlash they face after coming out to their church as LGBTQ+. Loosely based on director Tatiana Navarrette’s own experiences.

A struggling young man secretly plays a magical trumpet that transports him from his desolate world into a colorful "bliss." When his younger brother discovers his secret, their relationship is put in jeopardy.

If every possibility is available, is any possibility enough?

When retiree Don declares he no longer wants the new spa he’s just ordered, Ivan the deliveryman suspects there’s more to the story than Don is willing to admit.

A student is about to move on to the next phase of his life when an incident draws him into the unknown.

Brasil, Vermelho-Amarelo

After witnessing her cousin enveloped in a steamy new romance, distraught teenage Amélie allows herself to dive into her own fantasies, sparking something much more powerful.

A young boy, left alone as an unnatural threat ravages the world, clings to his daily routine as he waits for his mother to come back for him.

Under constant pressure from her ex-husband, Nazanin should turn their child - Aban, nine years old - away from a very driven feminine taste. One day, Aban goes to the hospital thinking of undergoing life-changing surgery.

If the wind spoke the language of children, what would its voice be? The film tells the story of migrating children that have found refuge from war in an abandoned school, protected from the horrifying whistling of the wind. When one of them disappears, they decide to break the silence and reunite to commemorate the loss.

Damien, a 16-year old swimmer, clashes with his Coach at practice. In parallel, Damien plays with his younger brother at a hotel waterslide, but his erratic behaviour shows something hidden beneath the surface. Bleach explores the confusing moments following trauma and abuse, and how big each small step can be.

Winter storm’s night. In his last breaths of life, Jules (35 y/o) imagines himself at home, taking one last look at his daughter. As he gaze around, he notices Sara (9 y/o) is immersed in reading a comic book. Jules feels that he doesn’t have much time left. He knows this moment with Sara will be his last, and it will be short. Too short. But all he wants, is to take his time.

It opens, in the life of Fernanda, a possibility of reconstruction of its own image. And this happens from an offer of employment that reactivates in her all the relationship of affection that had been built with her mother during her childhood. But Fernanda, who is always in need of negotiating her identity with the outside world, will go through yet another test.

14-year-old Thomas moves to the city. In school he meets Mads and Emma, who are interested in him for different reasons.

The film takes us back to a moving, exciting and unforgettable period in time, the time of Liberation and emancipation. A young teacher – Partisan arrives in a small Serbian town. His wartime, partisan “pedagogy” conflicts with the old methods of work in schools. The children, of course, stand by their teacher, their true friend. The film is a child’s memory and remembrance of an evil, cruel period that left deep imprints in the children’s sensitive and delicate soul of entire generations whose childhood was wounded in the war. The story unfolds over a period of several months, between the fall of 1944 and the summer of 1945, when somewhere far away, in Japan, the atomic bomb is fried to announce a new-atomic era.

Bullied by his father to grow up, a teen fights between the love of his step-mother over his father's life.

David, a Jewish resistance fighter, flees for his life as he is being hunted by Nazi soldiers and is saved by a ferocious German Shepherd, who ultimately becomes his savior.

A lonely, socially awkward man meets an outgoing dog owner at a park bench. They make a connection.

The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.