We Have Homeland

Barry Munday, a libido-driven wage slave who spends all his time either ogling, fantasizing about, or trying to pick up women, wakes up in hospital after a freak attack only to find that his testicles have been removed.

A group of three friends, Rodrigo, César and Vitória, have a date at Vitória's house after a long time without meeting due to the COVID-19 pandemic. They sit in her backyard with a few bottles of beer and a joint, chat as it gets dark and each one brings up their own existential conflicts, perhaps looking for a solution, or leave with even more questions...

Six Black women throw themselves overboard to escape a slave ship bound for America. Based on Jericó Montilla's play of the same name (a free adaptation of Fabienne Kanor's Humus), directed by brothers Andrés and Luis Rodríguez. Less narrative than sensation: a visceral, poetic journey about resistance and the search for freedom, shot in Choroní and Caracas under CNAC's "Aprender haciendo" training program. Venezuela, 2025/2026.

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

Roberto is a middle class working professional trying to survive hyperinflation amid the Venezuelan crisis while maintaining his unemployed mother. An argument breaks out when she asks him to buy flour for her birthday cake. In an effort to make amends, he resorts to the black market to buy the scarce food, but gets caught in the violent looting of a market.

Alex spends his first new year's eve after his father's death, evoking many feelings he thought he had left behind. With the support of his family he tries to move on.

A young girl is found dead off the Venezuelan coast. A medical examiner tries to determine the cause of death before the body is repatriated.

Julia returns to her native city after many years, just to find out that nothing has changed. That leads her to face her past and reunite with her childhood best friend, Eric.

Aiyra left her small hometown to work in the big city. Conceição, her mother, left many years ago, but she returned.

A sister relives her brother’s disappearance on the Colombia–Venezuela border. Her voice exposes an absence that doesn’t fade—one that cuts deep and shadows every day for her and her mother, a memory that refuses to die.

Valentín, a political prisoner, shares a cell with Molina, a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna.

Bitter over their divorce, a wealthy businessman prevents his ex-wife from seeing their child. She then takes him to custody court and a judge tries to determine what will be best for the child.

A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

A struggling young writer finds his life and work dominated by his unfaithful wife and his radical feminist mother, whose best-selling manifesto turns her into a cultural icon.

Santa Secreto

After an accident leaves him color-blind, Óscar moves in with his reclusive brother Víctor, beginning a shared life that will test the fragile bonds between them.

América Latina, séc. XXII

Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.

Pablo is a young man going through a crisis of love. His best friend decides to take him to reunion party; there he encounters Daniela, the great love in his adolescence. In the middle of the party he tries conquer her heart, but discovers a reality that he did not expect of her: she is dedicated to the oldest trade in the world