A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.
East L.A. Interchange follows the evolution of working-class, immigrant Boyle Heights, the oldest neighborhood in East Los Angeles from multiethnic to predominately Latino and a cradle of Mexican-American culture in the U.S. The documentary tells the story of how one neighborhood managed to survive the construction of the largest and busiest freeway interchange in the nation and explores the shifting face of community in the United States today arguing why it should matter to us all.
Bienvenue en…. Los Angeles! Film executive Kyle and filmmaker Arran rendez-vous for a tête à tête in this crème de la crème of Cinéma Verité.
A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.
Tongue-in-cheek look at 20-something singles clubbing and partying in L.A. Voice-over narration, charts and graphs, and visits to a research laboratory punctuate the story of a single night when groups of friends go out, drink alcohol, take drugs, dance and talk, and look for someone to go home with.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
Dvořák's "Rusalka" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.
2024, Los Angeles, CA, the city of angels. Plunging us into the moment, this is a visceral cinematic snapshot of the era. What remains is an inventive commentary on the pleasures and dangers of wielding a camera.
A chronicle of alleged ghosts, haunted landmarks and the otherworldly doings of Tinseltown, including a cursed script and haunted homes of the stars. A range of celebrities and parapsychologists provide interviews related to the history of Hollywood hauntings and their own experiences hosted by William Shatner.
During his thirty-year career, Walter Hus, a Belgian composer and pianist, has taken a thousand musical faces. While he wanted to compose a new work, a crisis blocked his creation. During an exchange with his therapist, he comes to an existential question: "Who am I musically? » Through the portrait of this composer, as abundant as it is fascinating, the film aims to give access to his creative process and thus to the endurance and beauty of creation.
The documentary dives intimately behind the scenes of the Finnish National Opera and sucks the viewer in like the best of thrillers. The three hours fly by, even for those who aren’t necessarily interested in opera as an art form.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.
TV Party Music Video - (Live @ Target SF 1981) Rise Above - Thirsty & Miserable -Depression - American Waste - Fan greeting in Bologna, Italy 1979 - Revenge (San Francisco 8-20-80) - Jealous Again - Chuck (mock) interviews Dez & Henry - Rise Above (repeat)
A 12-year-old boy tries everything to join a music lovers club.
Ric Burns unearths rarely seen footage and offers keen observations on the life and artistic influence of Andy Warhol. [Made for and aired on PBS's American Masters series.]