The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.
In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.
This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
The Comedian Harmonists sing various German folk songs in a picturesque landscape.
Longtime best friends Sid and Jonesie are dumped by their respective girlfriends. Both without a living situation, they decide to become "bromates", bros who are roommates, which puts their relationship to the ultimate test.
A 1993 TV special and biography of Sean Connery featuring archive footage and appearances by Albert R. Broccoli, Michael Caine, and Michael Feeney Callan.
Where do nature's building blocks, called the elements, come from? They're the hidden ingredients of everything in our world, from the carbon in our bodies to the metals in our smartphones. To unlock their secrets, David Pogue, technology columnist and lively host of NOVA's popular "Making Stuff" series, spins viewers through the world of weird, extreme chemistry: the strongest acids, the deadliest poisons, the universe's most abundant elements, and the rarest of the rare—substances cooked up in atom smashers that flicker into existence for only fractions of a second.
Showtime's "In the 20th Century" is a millennium-related series of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.
Sacred Land, Sacred Water, a multimedia documentary, is the story of science and citizens working together to resist the oil and gas lobby’s efforts to pass a fracking-friendly ordinance in Sandoval County, New Mexico - threatening the sole drinking water aquifer for the population of the greater Albuquerque area.
An uncensored look into the life of '90s fashion photographer and youth culture icon, Davide Sorrenti. Known for his prodigious photos and responsible for the rise of "heroin chic", this is the story of a young photographer and how he came to define an era.
A journey across unique places that challenge the world of their time, landmarks of the future built by revolutionary minds that can be described, each in their own way, as architectural utopias. The film is divided in five chapters which represent five works.
A group of friends from São Paulo head for a secluded beach to celebrate New Year’s. Together they relax, sunbathe and make music. And they talk: about their sexuality, their bodies, their hair, their youth, their fears, certainties and uncertainties, as anyone does sometimes with good friends. Along the way, we learn a lot about contemporary Brazil.
Twelve months spent following the year-round swimmers who frequent the Men's, Ladies' and Mixed Ponds on Hampstead Heath, London - unique bathing spots in which people have taken the waters since the days of Byron, Keats and John Constable.
Documentary on advertising. Investigates the way work has disappeared from advertising images, and traces the phenomenon through archive advertising films from 1897 to 1960. Places advertising in the context of historical events and everyday life, archive material being juxtaposed with contemporary images.
This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.
The story of Robert Stewart, illegitimate son of King James V. He grew up with Queen Mary of Scots in France and was the only one risked his life to warn King Consort Henry Stuart before his assassination.
This feature documentary is an inquiry into Canada's economic troubles of the 1970 and '80s. The film summarizes the facts at hand, including some pre-NAFTA speculation about economic dependency on the United States. At roughly thirty percent, the Canada of a few decades ago was more foreign-owned than any other country in the world. Still, however, a great and stubborn national pride in our cultural and social idiosyncrasies persists, resulting in the confidence to look elsewhere besides the United States for economic alliances and models. This episode is the fifth and last part of the series Reckoning: The Political Economy of Canada.
This documentary focuses on boom-and-bust economic cycles, most notably that of Alberta oil during the '70s and early '80s. When the bust hit after a drop in world oil prices, those business people who knew how to "ride a tornado" cut their losses and moved on, while others were left devastated. When Newfoundland was faced with a possible oil boom of its own in the mid-'80s, it took the lessons of Alberta to heart. Part 3 of the series, Reckoning: The Political Economy of Canada.