Of Another Place

Fleeing religious persecution, resilient Jewish immigrants arrive in Toronto and begin building affordable, quality housing in a growing metropolis.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A student movie loosely based on the short story by Sadegh Chubak

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

A young criminal plans his first murder which will be carried out before an old man, his plan does not go as expected and takes a 180 degree turn.

Against the backdrop of a European cityscape, worlds intersect when a woman and a man on separate travels meet, or rather, collide on the screen. Their affects mingle, creating a zone between their bodies in which something happens: intoxication, stillness, desire and love. Something that is neither one nor the other's, but a third creation between dreaming and being awake, where possibilities are held and lost. This is URDA / BONE.

Can an eight-year-old boy dressed as a bunny change the world? He thinks he can.

No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.

Ted hangs out on the river banks where he lives his homosexuality in secret. One night his brother's gang shows up for some gay bashing. Shocked by the violence of his brother, Ted decides to confront him...

Antoine, twenty-five, does not want to be alone this evening. He leaves in the middle of the night to find a remedy for his loneliness.

Son of a patriarchal family in the country interior finds out something.

A documentary road-movie following the journey of a grave-robber, who travels in a caravan to Vienna, to return stolen teeth of Strauss and Brahms. The teeth, which he stole himself.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

Two rival martial artists meet up after years apart.

Footage yarn sliding over trees, fields, buildings, bulldozers, power lines... while a monotonous hum exacerbates the images.

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

A humorous look at the day in the life of two women. A man embarks on a journey, his destination a woman living in a tower block on the other side of town. Naked begins with his departure and ends with his arrival at the close of the day. Following him on his journey is a mythical window cleaner, whose flying gantry takes us through the city to a tower block where he spies on a woman preparing for her guest and observes her neurotic next-door neighbours. Naked, which refers to the women’s vulnerability as well as their state of undress, uses model, drawn and photo animation within three dimensional sets.