Cinema Italiano: Moments of Truth

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

A Mondo documentary focused on the 1960's American lifestyle, consumerism, religion, adversity, and oddity. An outsider's look at a country afflicted by episodes of racism and neo -Nazism. Scenes of a Ghost Town, LSD in NYC, Sunset Strip Los Angeles California, Amish, Klu Klux Klan, African-American Fashion Show, etc.

The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.

A retired film director locked up in a suburban Rome apartment attempts to write a new movie, his eternal opera zero.

La notte più lunga dell'anno

In the Valley of the Moon, follows a young man working as a hitman for the Italian mob in 1977. He takes a job in Petaluma, California, posing as a potential buyer at an open house to confront the realtor who he suspects has a sinister connection to his past.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

FANTASMAGORIA - STAGIONE UNO

In a small town, every inhabitant lives his daily life without asking too many questions and ignoring the disappearance of some women, until one day someone will put them in front of the possibility that they could be brutal serial murders. From that moment, fear will make its way and every balance will be shaken. To reach the denied truth denied for so long, the protagonists will find themselves losing much more than one can imagine.

Actor turned director Luigi Lo Cascio stars as the talented architect and fervent environmentalist Michele who has moved from Palermo to his ideal city, Siena. He holds a successful job and is living out a dream experiment of functioning one year without running water or electricity. Not surprisingly, he also displays a passionate opposition to cars and driving. One evening, after being forced to borrow his boss’ car in order to collect a colleague for a work function, Michele’s life takes an unexpected turn. In the blinding rain Michele hits something he cannot identify. After leaving a note on a parked car he believes he damaged, he continues down the road only to come across a dead body a few miles down which he later discovers belongs to one of Siena’s most important luminaries. Michele immediately calls the police, but in doing so, he unwittingly brings intense suspicion on himself as his uncertainty raises more questions than he has answers for.

The tale of an Irish writer who moves to Northern Italy, finding a new sense of tranquility in life after experiencing heartache.

The incommunicability of today's young people through disturbing and decadent sounds.

A businessman swims away from time and reality...

The day of an artist who has to present one of his works is told through a continuous cinematic dispersion aimed at reproducing and making the viewer experience firsthand the mental dispersion inherent in the protagonist

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.