Cool It, Carol!

The three daughters of Madonna Violante: Nanna, Concetta Fiorenza and have only one thought, to have a good time as much as possible with men. Learning that one of the peasants of the family, Torello, is powerful, attractive, and very handsome, Concetta he brings it into the house. Meanwhile Fiorenza, believing her husband to be out of town for penance, enjoys the favors of a friar.

Due to a mistake by the travel agency she works for, a young woman finds herself deeply in debt and stranded in a tourist resort full of incredibly stuck-up travelers. As these tourists all insist they are all incredibly thin attractive people despite evidence to the contrary, she decides to open up a boutique in which she strives to transform them into beautiful people.

A young man goes through life detached, alone, and unable to control his psychotic desire to kill the things he loves most. Employed as a cameraman in a seedy porno operation, he spends his days separated from the shame and degradation by the camera he uses to record it. When he is confronted with the reality of an actual sexual encounter, without his camera for protection, he invariably strangles his partner during the lovemaking process. But then he meets a girl...and the nightmare begins!

The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.

Zenabel, a young woman from a humble background, discovers that she is actually the daughter of a Spanish nobleman who was killed by a ruthless don, Alonso, who took the title. So Zenable assembles a group of misfit friends to reclaim her title.

Tulia, a young model is invited to a photographer's country home for what purports to be a quiet weekend retreat - but soon appears to be anything but.

In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Jurgen Noetafreud is a professor of the psyche of human sexuality, who introduces 10 short segments from his case studies of the most common female sexual fantasies.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men. The phrase "toxic masculinity" is thrown around flippantly, and its potential root causes are very rarely explored. When a person is plagued with jealousy, they are willing to do almost anything in order to acquire what they desire. Our protagonist, August, internalizes the relationship that his best friend Wren shares with his girlfriend Julia as a direct, personal attack on him and his identity. Due to the fact August is not getting the same amount of attention and affection that he is used to from Wren, he goes behind Wren's back to manipulate Julia. August's internalized turmoil triggers an out-of-body experience that then drives him to make intimidating, coerced advances toward the people he loves.

Egon Kappes has a problem. For years, the honest and righteous mountain man has played the lottery with his buddies, and for once he has a winning ticket! But Egon can't find the ticket, and his buddies only have a few days before they have to pay back the usurious "butcher of loans" Noppeney. As the financial situation becomes more dire, Egon forgets about the search for the ticket, and pimps out his wife Erna (Alena Penz) in a brothel of women (run by Elisabeth Volkmann). They go on a shopping spree while completely forgetting about the loan. After a mental breakdown and being committed to a psychiatric clinic, Egon "comes across" two self-sacrificing nurses Monika and Veronica (Uschi Karnat), who help him remember where the winning lottery ticket was placed...

One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.

When the good citizens are already in bed, things get busy at the local pub. The regulars have a lot going on and no skirt is too short and no girl too young for these horny guys. Of course, things can go wrong, especially when the girls are willing but inexperienced and the punters are too lascivious. Fortunately, there is a disreputable but very popular establishment in the small town. There you can let off steam to your heart's content.

Two buddies head off for a summer holiday, but one of them has to take his sister along. She cramps their style when it comes to picking up chicks. However, they manage to have some fun.

A producer of erotic / pornographic pictures would like very much to win the Golden Banana at the 13th Danish Festival of Pornographic Pictures. He tries to spy what the other studios are filming...

Albert has the enviable job of being employed by a plush hotel to cater to the female visitors. His duty is to satisfy them in any and every way possible. All is not well for Albert though because he falls in love with a rich and voluptuous woman who decides that maybe his career isn't the best for the both of them. Will Albert become monogamous... has love changed his lifestyle?

"Bullenkloster" is the name given to the Ruhr miners' single home. Heinz Lenz has lived there since his divorce from Gisela. When he returned to the mine, he met his buddy Jupp again. Jupp persuades him to enter the ring once again. Only when Trudi promises him something, he agrees, but loses in the big fight. Through Jupp's mediation, he meets Gisela, who picks up their son. At first he only wants to see his son from a distance, but when he sees him he decides to start all over again.