Eneris

The first part in a new series of films produced by Musée d'Orsay, 'Flight of the Red Balloon' tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien's first Western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse.

The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.

The theme of this film is the children's view on the destruction of a working-class area. The loss, for them of the dilapidated alleyways and waste ground where they met up and played. Their anger, their futile revolt against the demolition workers only serve to confirm their powerlessness and status as social outcasts.

In the ‘poor crescent’ around Brussels one child in three lives on the poverty line. But they can find refuge with BX Brussels of Vincent Kompany – a sports and social project. Stranger follows recent immigrant Senegalese football coach Moussa as he struggles to give them hope in their sport … and in their life.

Documentary about what makes a house a home.

Evie, a young girl of Armenian and French heritage, is torn between the two cultures. As she navigates family expectations and her own identity, she confronts the challenges of living between two worlds.

Tracking missing socks in the European Union.

Du vent dans les oreilles

A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.

A look at Belgium's capital Brussels.

Emperors of Nothing is an unprecedented immersion within Forest, a prison in Brussels notorious for its inhumane incarceration conditions, bearing witness to how the human spirit resists or submits to this harsh world. Deeply personal and candid moments shared with inmates and wardens alike, those who have forfeited or devoted their lives to prison, expose universal truths of what it means to be "behind bars".

Was the Brussels Innovation fire (1967) just a dramatic accident or was there more going on? Through exclusive interviews and edited archival material, a conspiracy theory is constructed in which the CIA and some property developers are assigned important roles. Despite the frivolous mysticism, there are many truths in this mockumentary!

Les dieux de Molenbeek

Rascar Capac, the sinister creature featured on Hergé's album The Seven Crystal Balls (1948), has left its mark on many generations of readers. To draw it, the Belgian cartoonist was probably inspired by a mummy exhibited in the first pre-Columbian exhibition organized by the Brussels Cinquantenaire Museum in 1923. Two intrepid archaeologists embark on a fascinating journey to reconstruct the story of the mysterious mummy.

Four friends tired of protests are thinking about another way to shake up capitalist society. Driven by fiction, they decide to blow up a Brussels shopping center. How to think the attack? What roles do they need to play in order to imagine taking action? Is their friendship reconcilable with such a radical act?

Insomnies is an impressionistic look at the city at night, avoiding the clichés of commercial or tourist films and suggesting instead a lifestyle rhymed by windshield wipers and the music of The Honeymoon Killers. The film is flashing back-and-forth and ultimately leaves, like an arabesque of light and colour made of lines, curves and angles.

Since November 2022, the Brussels prisons of Saint-Gilles, Forest and Berkendael have been moving to the brand-new "prison village" of Haren, on the outskirts of Brussels. An ultra-modern, ultra-secure, semi-private prison. But why build new prisons in the first place?

Broad Sense is based on an three day long intervention in the European Parliament in Brussels. The video reveals the diversity of security responses to the artist’s visits.

A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.

Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.