Dhool Ka Phool

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

A humble tonga driver named Lachhman returns a forgotten bundle to Rajo, and though her father offers him a reward, he refuses. Instead, he sells his beloved tonga to raise a dowry and marry her. After tragedy strikes and Lachhman dies, Rajo takes up the tonga herself to survive, challenging tradition and society’s expectations.

Chandramukhi, the city educated daughter of the village zamindar returns to Ramnagar, a typical village. There she meets her childhood friend Birju aka Brij Mohan. He has a lovely voice and she encourages him to pursue singing. Eventually Brij and Chandramukhi fall in love, but Chandramukhi's father cuts it abruptly and sends her to Lucknow. A short while later Brij arrives at Lucknow. Gitanjali, Chandramukhi's friend, is thrilled by his voice and helps him get a job at Aakashvani through her father. Brij returns to Ramnagar to ask Chandramukhis hand in marriage but is once again rebuked. He returns and goes on to become a great singer in Mumbai with Gitanjali by his side. All through he yearns for Chandramukhi as she yearns for him. How he manages to marry her forms the rest of the story.

Sitara

To earn extra cash, Mickey helps couples break up — but life gets complicated when he falls for Tinni, a career woman with an independent streak.

When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.

Asha Parekh plays an unmarried woman in her 30s, past what society considered the marriageable age. Her younger sister played by Bindiya Goswami has a fiancée Mithun Chakraborty. She feels guilty that she is about to have a happy married life, while her older sister will be all alone by herself. She sets out to find a husband for her. When she sees her sister admire Utpal Dutt on television, she brings him into their lives. Unfortunately, Utpal Dutt falls for Bindiya Goswami and isn't aware that Asha Parekh has fallen in love with him. How Bindiya untangles herself from this situation and gets Utpal Dutt and Asha Parekh together forms the rest of the story.

Self-made man Dhruv and social media star Anya fall in love and decide to marry. Just one problem - he's an orphan because Anya will only marry a guy, who has an adorable family, so the only solution - arrange a 'fake' set of parents.

The Parekh family goes on an adventure to save the world with Praful serving as an emperor of a fictional country Paanthukistan. The absurdity, the gags and the silliness return as the Parekh family's adventure transcends various landscapes – cities, beaches, snow-clad mountains, deserts, and caves.

The play depicts the lives of seven people living in Mumbai, all with their own uniquely moving story. It tries to capture the essence of people living in the city through seven characters who have been strung together in a series of monologues. Stories about the ambitions of a child artist, the escape of a ridiculed wife into art, a single mother’s sacrifice of her life for the sake of her children, child abuse, a TV reporter’s regret of the media’s inability to celebrate positivism rather than sensationalism and negative news, a hilarious take on corruption by a broker and the west beckoning today’s youth are all interwoven. Each character, marked by failure and doubt are clearly self –censored. While they may communicate through candid expression, they subtly allude to greater truths.

Ek Ajooba

A loving husband and father's joyful family life is rocked to its core upon the discovery that he has a young son borne from a past extramarital affair.

Amit wants to marry a modern woman but his parents get him married to a village girl, Madhuri. When Amit refuses to accept her as his wife, Madhuri reinvents herself as Malathi and re-enters his life.

In this crime story, lawyer Bhavna and her ex-lover, police officer Ravi, go after the local mafia. When Bhavna's son is kidnapped, the only person she can turn to for help is Bajrang, a mafia kingpin's son who knows her secret. The stakes grow even higher when Ravi is ordered to arrest Bajrang.

Auro suffers from a progeria like syndrome. Mentally he is 13 but physically he looks 5 times older. In spite of his condition, Auro is a very happy boy. He lives with his mother Vidya, who is a gynaecologist. Amol is young, progressive politician. He is a man with a mission. Auro is Amol's son. Paa is a 'rare' story about a father-son, son-father relationship.

Amit, Om, Javed and Bhupen - a group of four friends - have come a long way in life. Bhupen had a lifelong dream of going to Mount Everest with his three friends but the idea is quashed immediately as soon as he expresses it to them during a get-together. However, Bhupen's sudden death leads the trio to leave their cozy Delhi lives and trek to Everest Base Camp as friendship was their only motivation.

Arvind’s life comes crashing down when his wife Madhu falls into a coma and is put on life support. Will situations hold him back, or will he be able to save his wife with the hope of a life together?

Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.

An eight year old boy contemplates his relationship with Lord Shiva (the incarnation of Lord Vishnu) in the sacred city of Banaras.