Strong Women, Weak Men

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (apparently) contented children. The other family is poor, with rambunctious (even delinquent) children, often hungry, but with lots of laughter in the house.

One day, Carmen Müller realizes that her husband Werner has been unemployed for months and has accumulated debts of 80,000 DM in their bank account. She comes up with a plan to rob her bank. When the branch manager and neighbor Lothar Fuchs, whom Carmen has always envied for his beauty and wealth, recognizes her, she takes him hostage. In their hideout in the Allgäu, the banker falls in love with the housewife, just as Werner and Fuchs' mistress Gabriele grow closer. The quartet form an alliance and defraud the bank together. Having come into money so suddenly, the Müllers don't feel comfortable either and secretly distribute their fortune around the neighborhood.

Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.

As Singapore extends its lockdown amidst the Covid-19 pandemic, a work-from-home mother fights for her job while her domestic helper seizes an opportunity to do the unthinkable. But nothing is ever as they seem. A cautionary tale about 2 mothers, lives overlooked and voices mummed, /mʌm/ is a psychological drama with elements of an evocative thriller that examines Singaporeans’ symbiotic relationship with migrant workers.

Filmmaker, illustrator and musician Dame Darcy's weekly television collaboration with Blessed Elysium's Lisa Hammer aired on New York's Public Access from 1996-1999, presenting original drama and comedy in a German Expressionist style, utilizing New York underground personalities including Jennifer Nixon (aka Queen Itchie), Peter Moran, Bliss Blood, Banjo Pete, Miller Duvall, Secretary Jenny, Cynthia Mitchell, Patrick O'Clock (aka Patrick Hambrecht), Jasper McVain, Daisy Miller, Li'l Sweetie, and Countessa Cinorre, as well as celebrity guest stars Thurston Moore, Courtney Love and Tiny Tim.

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

A young mother's shadow takes on a life of its own, terrorizing her and her daughter over the course of one night.

Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.

Office temp Charlotte Cantilini thinks she's found Mr. Right when she starts dating gorgeous surgeon Dr. Kevin Fields. But there's a problem standing in the way of everlasting bliss: Kevin's overbearing and controlling mother, Viola. Fearing she'll lose her son's affections forever, Viola decides to break up the happy couple by becoming the world's worst mother-in-law.

African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.

The twelve-year-old Emil and his father are haunted by bad luck. To take a break from a series of family disasters, Emil is allowed to spend a few days with a friend of the family, the female priest Hummel in Berlin. In the train he runs across the slick Max Grundeis who anaesthetizes Emil and steals his savings of 1500 DM. When he finally arrives in Berlin, Emil and a gang of street kids, led by the cheeky girl Pony Hütchen, try to find the gangster, who haunts the posh Hotel Adlon as a hotel thief. Meanwhile, to prevent anyone from finding out about Emil's mishap, Gypsi, a member of the gang of kids, passes himself off as Emil, thus wreaking havoc on the home of the priest.

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

Kramoko Kouyate, son of a griot, cannot marry Fanta who is of noble blood. In flashback, the film explains the origin of the problem and shows their attempts to get around it.

Two men get laid off and have to become stay-at-home dads when they can't find jobs, which inspires them to open their own day-care center.

Years after his father disowns his adopted brother for marrying a woman of lower social standing, a young man goes on a mission to reunite his family.

A drug-addicted girl from an abusive family finds hope through kind people but her grim reality strikes back just as she sees a glimmer of light.

Faithful wife Melinda, who is tired of standing by her devious husband Robert, is enraged when it becomes clear she has been betrayed. That's when she lost it, and now she cannot let it go.

Van der Merwe, a bumbling farmer from a traditional Afrikaans family, struggles to keep his family together when his daughter returns from England with her British fiancé and family.

A man on parole, a struggling mother, and a pair of drug dealing brothers each become part of a dizzying multiplicity of plots, but one story. "The Devil Makes Work For Idle Hands" is a working class drama which focuses on social mobility, disillusionment, and the struggles of working class people. Seen through the perspectives of three characters, the film is loosely based on real life events and uses a mixture of professional and first time actors.