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The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences

Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.

Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.

Frantic Assembly takes Shakespeare’s muscular and beautiful text, combines its own bruising physicality, and presents an Othello firmly rooted in a volatile 21st century. This is a world of broken glass and broken promises, of poisonous manipulation and explosive violence.

A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.

General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.

When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.

In the Huasteca of Tamaulipas during the most important dance festival of the region, Julia, Huapango national champion, announces her marriage to the distinguished and wealthy rancher Otilio, while Santiago, her dance partner, driven by jealousy and spite, decides to take revenge on the newlyweds.

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

The playwright's most famous dramatic study of jealousy and its tragic effects are conveyed vividly in a striking drawn animation style. The warmth of the Mediterranean contrasts with the coldness in lago's heart as he turns his noble master, Othello, against the beautiful and innocent Desdemona.

Lawyer Federico Fendi has reasons to suspect that his fashion model wife Carla is secretly one of Rome's highest paid call-girls.

Filmed version of the 2019 Stratford Festival production.

Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

Spurred by the devious Iago and believing that his beloved Desdemona has betrayed him, Othello destroys his own happy world. Accomplished film, television, and stage actor Patrick Stewart plays Othello joined by a Black cast, including Franchelle Stewart Dorn as Emilia. This bold, new look at the play highlights one of its major themes of “otherness.”

Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.

In the Globe Theatre, Director Ola Ince debuts in the Sam Wanamaker Playhouse with Shakespeare’s confronting look at the destructive impact of institutional racism, toxic masculinity, and a justice system locked in a vicious cycle of self-fulfilling prophecy.

Othello is the greatest general of his age. A fearsome warrior, loving husband and revered defender of Venice against its enemies. But he is also an outsider whose victories have created enemies of his own, men driven by prejudice and jealousy to destroy him. As they plot in the shadows, Othello realises too late that the greatest danger lies not in the hatred of others, but his own fragile and destructive pride.