Vert Torpeur

It was a hard struggle Mina, the little lace-maker, had with the world, supplying the needs of herself and her crippled little sister. An expensive brace was necessary. There was only one way left. Mina decided to sell her hair. So her romantic young landlord bought it. Of course, being human, we know the end, but Mina didn't.

A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.

A ghost story about a modern English farm haunted by the ghost of its former owner. It's rumoured that he murdered four children, but it is slowly revealed that they were child labourers who died in various accidents exacerbated by his carelessness.

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

The outsider Katrine survives a school shooting and is the only one to see who the shooter is. The hunt for the boy begins, and slowly Katrine realizes that she has more in common with him than any of her other classmates.

A short movie based on the story of the same name by Stephen King.

A young photographer wanders the city taking pictures with a Polaroid 600, but on each print the silhouette of a woman on a bicycle appears. The sequence of photos makes it clear that the woman is about to be hit by a trolleybus. Based loosely on Stephen King's novella "The Sun Dog" and Julio Cortázar's short story "Blow-Up" ("Las babas del diablo").

Lester goes to a psychologist in hopes of recreating the details of his horrific past. Based on Stephen King's short story "The Boogeyman".

Based on the Stephen King story of the same name.

Montreal, 1888. Stephanie is a young girl with a gift for the sciences. But despite her aptitudes and intelligence, she is unable to make a place for herself in the misogynous and phallocratic world of a university. She nevertheless helps her mentor, Professor Beaumont, to develop a prototype time machine. Unfortunately, the demonstration in the university laboratories proves disastrous. Rector Fenwick fires Professor Beaumont, which further humiliates Stephanie. However, she does manage to resolve the issues with the prototype in a second time machine built at Beaumont’s home. With the Rector and the members of his Committee coming to witness a final demonstration, Stephanie will, in her own way, avenge herself from her detractors. A TIME OF MICE AND HUBRIS is Quebec's first steampunk film.

In this Broadway Brevities short, a stunt double is hit on the head and imagines himself in a series of movie scenes with doubles for various stars.

This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

Due to the recent arrival of undocumented immigrants, the city of Simpletown holds a special session city council meeting to determine if the town should officially ban the newcomers.

Azerbaijan. Yagub has nothing left but beats his disabled son Musa until a shattering message brings about a sudden turn.

An animated film about the history and use of hot water.

'Bears Discover Fire' is the strange tale of a lonely man, his aging mother, his curious nephew, and a family of bears that have discovered how to use fire.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.

A group of friends staying at the Cabins at Crystal Lake find themselves stalked by a masked killer.

Reared by an abusive, pill-popping mother and an absentee playboy father, six-year-old Valentina must fend for herself. She does what she can to craft the illusion of normalcy: makes herself lunches that look just like the ones her classmates tote, dresses and grooms herself expertly, and lies to cover up for her mother Anita's erratic behavior.