In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.
The Third Rule
The surreal, experimental story of an unseen serial killer.
The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?
An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.
Dealing with his pill addiction, Jinn suffers from vivid nightmares, featuring a monster that plagues his everyday life.
A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.
Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.
A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?
Dark, fast-paced symmetry in mixed weave of tones moving from oranges & yellows to blue-greens, then retreating (dissolves of zooming away) to both rounded and soft-edged shapes shot with black. Preserved by the Academy Film Archive in 2013.
This hand-painted and elaborately step-printed work begins with a flourish of reds and yellows and purples in palpable fruit-like shapes interspersed by darkness, then becomes lit lightning-like by sharp multiply-colored twigs-of shape, all resolving into shapes of decay. Preserved by the Academy Film Archive in 2013.
Multiple thrusts and then retractions of oranges, reds, blues, and the flickering, almost black, textural dissolves suggesting an amalgam approaching script. Preserved by the Academy Film Archive in 2013.
Salamander Days is an atmospheric meditation on friendship, grief, self-discovery, and adolescent consciousness. Set in an American high school, taking place in the midst of a student’s passing, and deeply rooted in the mythology of the salamander, the film explores the concepts of memory and creation, as well as the transformative experience of loss.
Quinn is a grade school teacher who is exploited by a group of memoryless individuals who reeducate his long-term partner Amy.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
A filmic letter to New York City, the subway, and self.
A teenager's obsession with recovering his stolen phone forces him to confront the ghosts of a recent toxic relationship.
Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.
The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
Seasonal movements and bittersweet moods of young adults faced with the realization of mortality, movement and the passing of things.