Second Chances

The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.

When spirited young woman, Fanny Price is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns 'their' ways, she also enlightens them with a wit and sparkle all her own.

A young woman’s charming but overbearing father helps her move out of her wealthy older boyfriend’s apartment.

In her bouts to help her daughter, Teresa accidently lands on a call center job where Regina is employed, giving her a chance (or is it really?) to rekindle her relationship with her daughter. In the call center, she meets people coming from different walks of life; fun-loving Richie, young-living Lolay, prim and proper Martin, and their monster Team Leader Vince.

A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

Soledad is a young woman who returns to her grandmother's house after years of having cut off communication with her family. She wants to connect with nature, her family's spiritual practices and her sister with whom she never developed a relationship. At the same time she is looking for a way to heal the duel of her mother's death years ago. Soledad will realize that the process is long and exhausting and will lead her to reconnect with the people around her and herself.

Rob is the loneliest of loners. He is so desperate to find love that he constructs an absurd (and quite cinematic) plot to meet and impress women: he is tracking a man by the name of Jack S. who killed his wife to seek revenge, which – to him – is obviously an insanely loyal and courageous thing to do. Hannah, a seductive bartender who used to be married to a man named Jack S., agrees to help Rob track him down – a perfect excuse to get closer to (the now single) Hannah and to do everything he can to become exactly who she wants in her ideal guy. But little does Rob know that some of the people he meets along the way have intentions that turn Rob’s reality upside down – or is it right-side up?

After being deported to Venezuela, one of the most dangerous countries in the world, Rosa and her daughter must find a way to escape to Colombia.

The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.

Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.

In a time in the Philippines when the concept of divorce does not exist, a young woman has an affair with a married man. Eventually, they move in together, and that is when the problems start.

'Just one more drink' becomes a spontaneous night out for Fatimah and Leon as they avoid the inevitable conversation that awaits at the end.

In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.

Sissi and Victoria are sisters. Whereas the younger is slowly emerging from the world of childhood, the elder tries in vain to be a grown up. In the room they share, Sissi is preparing for her gymnastic competition and Victoria has boys coming and going.

Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”

A middle-aged man is so crazy about his mistress that he doesn't care about what happens to his family. The feud between his children by his wife and by the mistress gets worse until the family almost breaks apart.

The story of Lupe & Bruno, she is in love and he doesn't seem interested. The story unfolds at the public transport stop as they grow up.

A young man washes ashore, in search of someone he cannot recall. But his death three years ago complicates a reconciliation.

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