Five Breakups and a Romance

Wet Season revolves around the life of Ling, a schoolteacher who deals with infertility while having to take care of her infirm father-in-law at home. One of Ling's students, Kok Wei Lun, develops a crush on her during remedial Chinese classes. The two become closer as Wei Lun embraces Ling's extra tutoring.

After a woman shoots a man to death, a damning letter she wrote raises suspicions.

Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.

John despises his father for being a failure in life. When John returns home to facilitate his father's funeral, his life comes to a turning point, as he discovers the true motivation of his misjudged father.

Two playboys try to forget previous romances in Singapore – until they meet a beautiful dancer.

An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.

A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.

A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.

50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").

When his employee disappears in Singapore, Shyam travels from India to investigate the absence and becomes entangled in a deadly plot.

En is an 18-year-old who has lost his father to cancer. As his family is drawn together in a sudden tragedy, he has to decide what he believes in. But in a country where ideologies are forged on constantly shifting sands, he struggles to stay true to what he knows to be right. And in a family that prefers to forget, the sandcastles of all he holds dear seem doomed to be washed away by the tides of time.

A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:

After the war, Matt Gordon returns to Singapore to retrieve a fortune in smuggled pearls. Arrived, he reminisces in flashback about his prewar fiancée, alluring Linda, and her disappearance during the Japanese attack. But now Linda resurfaces...with amnesia and married to rich planter Van Leyden. Meanwhile, sinister fence Mauribus schemes to get Matt's pearls.

A 2006 Singaporean film and the sequel to the 2002 film, I Not Stupid. A satirical comedy, I Not Stupid Too portrays the lives, struggles and adventures of three Singaporean youths - 15-year-old Tom, his 8-year-old brother Jerry and their 15-year-old friend Chengcai - who have a strained relationship with their parents. The film explores the issue of poor parent-child communication.

An aspiring filmmaker, who is also down on luck, goes to Singapore to meet a producer, but what follows is misadventure after misadventure, with a dash of romance thrown in.

5 years old Yang spends an afternoon with his mother on a shopping trip. When he throws a tantrum after feeling neglected, she decides to punish him by walking away. A seemingly harmless punishment eventually becomes a pivotal childhood experience for Yang that will forever change him.

A homeless teen drifter navigates the underground lesbian club scene of 1990s Singapore, her story intertwined with a bar owner and activist, exploring the vibrant yet marginalized queer community of the era.

When Singapore surrendered to the Japanese in 1942, the Allied POWs, mostly British but including a few Americans, were incarcerated in Changi prison. Among the American prisoners is Cpl. King, a wheeler-dealer who has managed to establish a pretty good life for himself in the camp. King soon forms a friendship with an upper-class British officer who is fascinated with King's enthusiastic approach to life.

In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.