Fidel Castro no Rio de Janeiro, 1959

É Pra Mudar, Muleke - Uma Vida no DEGASE

On 12 June 2000, in Rio de Janeiro, Ônibus 174 was taken by an armed young man, threatening to kill all the passengers. Transmitted live on all national networks, this shocking and tragic event became one of violence's most shocking portraits, and one of the most terrifying examples of police incompetence and abuse in recent years.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

​An unprecedented collection of pictures, characters and historical facts about the city of Rio de Janeiro, rescued by tv networks, documentary filmmakers and foreign journalists over the course of the 20th Century. The film reveals how Rio, its inhabitants and its cultural and natural attributes have been seen by foreigners. This is an opportunity to relive, through the eyes of a foreigner, social, political, technological and mundane events which Brazilians either did not manage to document audiovisually or whose works were lost.​

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

A deep dive into the lives and experiences of those impacted by the Fidel Castro era in Cuba.

The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

A Woman's Soul unveils the world of Rio de Janeiro's travestites - these mythological figures who have opt for sexual ambiguity. Caricatures of women who live in marginality. The documentary shows that behind the stereotypes, exoticism and flamboyancy that involve the travestites, there are human beings with dreams, rights, ambitions and frustrations - as everybody else. The film recieved the Honorable Mention at the XXV Jornada Internacional de Cinema da Bahia in 1998. It was also exhibited in New York and at the London Institute of Contemporary Arts.

Tradição e Herança Ancestral - A história dos Mestres de Folias de Reis de Nova Iguaçu

Esse curta não é sobre cinema

Brazil from the perspective of school pupils aged 14 to 19. Combining a documentary with a fictional approach, Hora do recreio addresses topics including violence, racism and drug dealing.

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Oliver Stone spends three days filming with Fidel Castro in Cuba, discussing an array of subjects with the president such as his rise to power, fellow revolutionary Che Guevara, the Cuban Missile crisis, and the present state of the country.

Fenda

A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

El día más largo

Oliver Stone's second documentary on/interview with Fidel Castro specifically addresses his country's recent crackdown on Cuban dissidents; namely, the execution of three men who hijacked a ferry to the United States.

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.