Los últimos de Filipinas

It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.

A happy marriage goes wrong when the husband is accused of raping his stepdaughter who eventually died. The wife, feeling hopeless from the courts, takes justice into her own hands.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

The story delves into what is supposed to be a victorious day for Boy whose first born — Jemjem, graduated from elementary with honors. Throughout the story, bits and pieces of fighting against oppression of losing his main livelihood as a vendor, of fighting for his winnings in a bet to game fowls, fighting for his honor as a family man, and eventually fighting for his own life against fate will be revealed.

Based on a true story of a meeting in June 1945 between two powerful men with very opposite philosophies and perspectives on the future of their country.

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.

Love in the time of hyperthymesia.

Kate Hardie plays a shy 19-year-old bookworm setting out on a world trip, only to be stranded at Málaga after her companion goes off with a local lothario. When her belongings are stolen, Ellie starts learning independence.

Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.

Ferry owner Benjamin has a regular passenger, Chedeng, who is studying to become a midwife. Chedeng has a friend and neighbour, Maria, and without either of them knowing about it they both have a relationship with Benjamin. When Mary finds out she’s pregnant, things get difficult.

A woman fell in love with a Japanese soldier, during the Japanese Occupation in the Philippines. The whole town turned against her.

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.

A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them, as they represent free-thinking and indulgence. When a group of gypsies arrive by riverboat, the Mayor's prejudices lead to a crisis.

An ambitious reporter and his cameraman attempt to get their big break by venturing into the mountains by themselves to get in touch with a group of rebels. But what they find leads them into a living nightmare, as the very limits of their humanity are tested.

Aragón, Spain, early 20th century. María del Pilar is a honest girl whose good name is dirtied when an old suitor seeking revenge accuses her of losing her virginity outside of marriage. The scandal soon spreads throughout the countryside.

Christian, a young man from the city, travels to a town in Zaragoza, Spain of his recently-deceased father to throw his ashes and give a final farewell. He arrives to find the town abandoned years ago by everyone, leaving their houses to slowly crumble into memory, in search of better opportunities. Yet, one resident remains. An eccentric and wild man who has chosen to live alone in nature, to protect the remains of the village from the pillagers that often drive by in search of valuable artefacts. Their encounter will force Christian to confront his father's identity and perhaps finally understand why his father was the way he was.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide -- a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.

When a clergyman is accused for the murder of a social worker, the parish priest recruits a reporter (and his ex-girlfriend) to clear his name.