Betsiamites

Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.

A documentary about montreal architect Roger D'astous, who battled all his life to create a nordic architecture. Starchitect in the 60s, this Frank L. Wright student then fell from grace before rising again at the dawn of the century.

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.

Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

The G7 Summit that will take place in Charlevoix will bring together the leaders of the globe’s 7 major industrial powers. Thanks to an exclusive access and privileged position within the RCMP, we will bring you in the heart of the preparation and security operation surrounding such an event. It’s a privileged access for the first time in Canada, a historic and unique moment in television.

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

Documentário Brasil Tupinambá

Documentary that accompanies the exchange between the mestizo urban artist Xadalu and the filmmaker of the Mbya Guarani ethnic group Ariel Kuaray Ortega. As part of his artistic quest, Xadalu goes on an immersion in Guarani territory, accompanied by Ariel. While traveling between villages, Xadalu transforms his experiences into art. After this period, Xadalu travels spreading his work through the streets of several cities. Ariel accompanies him filming wherever they go. Xadalu introduces Ariel to a new world: the world of street art. United in the same fight for the indigenous cause, Xadalu and Ariel cross over for special places and experiences, while their relationship evolves and changes.

In the Plains Cree language, “pîtoteyihtam” means “one who thinks differently”. Among various indigenous peoples, difference is far from being perceived as a handicap and is rather seen as a strength from which the whole community can benefit. In the era of reconciliation, Indigenous peoples are reclaiming their traditional knowledge and philosophies. Through intimate encounters with several people from the communities of Pessamit (Innu) and Manawan (Atikamekw), the film reveals how neurodiversity is perceived and experienced there, and how we can rethink the accompaniment of these young people by reconnecting with traditional philosophies of First Nations.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

La détresse au bout du rang

L'école de demain

MAXIMÓN - Devil or Saint (66min.) is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.

The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.

This Traveltalk series short takes the viewer to Quebec, the city that was called the "New France".

Flor Brilhante e as Cicatrizes da Pedra