Pyre

A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

THE WORLD IS CONSUMING ME AND I CAN'T RUN AWAY FROM THE FALL

A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.

A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.

Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.

Amidst apocalyptic darkness and endless war, a young couple's mundane relationship is threatened by the arrival of a mysterious widow and a supernatural force that lurks in the forest around their cabin.

Two gay men in Japan discuss the end of their respective relationships.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Four young people escape Athens to a forest where the king and queen of the fairies are quarreling, while meanwhile, a troupe of amateur actors rehearses a play. When the fairy Puck uses a magic flower to make people fall in love, the whole thing becomes a little bit confused...

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

Quando Ele Deitou Pela Penúltima Vez

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

In the underground of a besieged city, a soldier awaits his fate. Meanwhile, in the ruins of the surface, the dangerous Cannibal runs wild.

Upset with where his life has gone, Torgo seeks to make some changes