Człowiek ze studni

What connects a photograph, the Second World War and a young couple? Set in the town of Kozienice, which was divided between the Polish and the Germans, the film follows Jewish photographer, Chaim Berman, through his family history, political persecution and work.

This film, directed by Dominique GAUTIER, takes the viewer on a worldwide excursion into the history and structure of the Esperanto language, introducing its present-day speakers. The words of these users of the language are reflective of a variety of activities and viewpoints, and in the film they are interwoven so as to reveal bit by bit how the utopia of its initiator, Ludwig ZAMENHOF, is concretised every day.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

A monk who got away with everything. Although much of his behavior aroused public outrage, or at least controversy, he never suffered any real consequences for it.

2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.

The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.

Documentary reports on the annual icing of the Oder in the 160-kilometer border area between the GDR and the People's Republic of Poland. Icebreakers from both countries with experienced skippers join forces to make the international waterway between Frankfurt and Szczecin navigable again. Everyone works hard as a team and even a broken-down ship cannot stop them from achieving their goal. A look back at the winter of 1947 with its flooding shows what the freezing of the river and the subsequent thaw can do if the ice floes are not drained into the Baltic Sea via Lake Dammsch in good time. The skippers from both countries have known each other for years and trust each other; the camaraderie that has developed on the Oder unites the people, they control the river in winter for the common benefit of all.

Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.

Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.

September 3rd, 1939. Britain and France declare war on Nazi Germany, only two days after the Wehrmacht invades Poland. This day, the sad date when the fate of the world changed forever, the Phoney War began: eight months of uncertainty, preparations, evacuations and skirmishes.

People of different age, profession and social status answer two simple questions: who they are and what they want from life.

Wolves divide and fascinate us. 150 years after they were driven to extinction in Central Europe, they are returning slowly but inexorably. Are they dangerous to humans? Is it possible to coexist? Using Switzerland as a point of departure, where wolves have returned in the very recent past, this documentary sheds light on the wolf situation in Austria, eastern Germany, Poland, Bulgaria, and even Minnesota, where freely roaming packs of wolves are more common sight.

The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, a 70-year-old who is taking his mother to visit the German factory where she was forced to work during WWII. In this road movie which takes place between Majdanpek and Germany, the trip becomes a journey into the past, retracing memories from the war and revealing a unique relationship between an old son and his elderly mother.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

Polsko

Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.

Warsaw, Poland, end of the Seventies. Following the workers’ revolt against the rise of prices violently repressed by the communist power, a group of opponents create the KOR (Workers’ Defense Committee). Heir to the currents of opposition to the Communist regime since the end of World War II, sponsored by intellectual and moral personalities who had been standing up against social injustices since the Twenties, the KOR tries to break the information monopoly of the State and to set up an autonomous labor organization.The action of the KOR leads in 1980 to the birth of Solidarnosc, first independent trade union of Eastern Europe.Three members of the KOR remember and tell us the story of a victory against communist power in Europe.

Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.

Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.