Saccade

The shot’s eerily static, but the house isn’t quite right. There’s no mold in the wood, maybe it’s the bug!

Por si vuelves...

Short experimental animation about childhood, school and mathematics based on my exercise book in second grade.

Hot Splice is a semi-serious short documentary that highlights how destructive film repairs leave behind raw materials to experiment and play with. In a mixture of archival video, 16mm film scans, inexplicable French narration, and Atlanta trap history, this short takes bits and pieces collected during my time as an archival assistant to make something nouveau.

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.

A personal portrait of the stages of love: discovery, fullness, fracture, and rebirth.

A visual and acoustic reflection about perception, deception, truth and the medium of film itself. Between visibility, irritation, structure and dissolution, a space arises for one’s own vision. An experimental film that wants to be experienced.

ingerence: Unwanted involvement, interruption, or meddling in the internal affairs of another person, entity, or sovereign nation.

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.

Placing a word widely acknowledged as amongst the most offensive in the English language into the hands of each of the women in her video, Minter reclaims it from chauvinistic associations and rescues it from centuries of censorship and degradation.

STEINA: “My background is in music. For me, it is the sound that leads me into the image. Every image has its own sound and in it I attempt to capture something flowing and living. I apply the same principle to art as to playing the violin: with the same attitude of continuous practice, the same concept of composition.

A comedy set in a surreal school about a professor who lectures about Buddhism -- an ancient religion, and karma -- the law of cause and effect. He rambles on while becoming increasingly annoyed by a fly he attempts to squash, helping the class learn a valuable lesson about "karma express".

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Des vertes et des pas mûres

Quatro Linhas

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

A mother consumes abnormal objects in the hopes of granting her child desirable traits. While she has good intentions, her actions may not be good for her baby.

At midnight, two lab assistants study an unknown substance using machines and procedures that are unclear to us. They pursue knowledge through the strict logic of the laboratory. As exhaustion settles in, one of the assistants brews Turkish coffee for the other, and the night shifts. The process becomes a fortune-telling, and the scientific gaze gives way to intuition. Moving from analysis to foresight, the two women imagine another method of knowing; a space where rational inquiry and intuitive perception coexist.

Between light, metal and silver, a collection of solidarity pins turns into an archive of another scale: spectres of exile and international struggle against Portugal’s fascist and colonial regime.