Berlioz, Te Deum

Recorded live at the Gewandhaus zu Leipzig in May 2017, this release features a delightful concert by the Gewandhausorchester Leipzig and conductor Andris Nelsons. For the program, the conductor has chosen works by Antonin Dvorak, including the Othello Concert Overture, and his famous Symphony No. 9 in E minor- “From the New World.

Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons

Thirty years’ Johann Strauss Orchestra, and on the Vrijthof square for the thirteenth year running. Surely a good reason for a party! Enjoy André Rieu and his Johann Strauss Orchestra and an evening that is more festive than ever! To name a few highlights: Handel's impressive Hallelujah, sung by all soloists and the choir, Hava Nagilah, Think of Me from The Phantom of the Opera, Ballade pour Adeline, O Sole Mio, sung by the Platin Tenors, La Traviata, Highland Cathedral and of course beautiful waltzes by Johann Strauss. And as icing on the cake, a performance by David Hasselhoff, who together with André Rieu, goes through the roof with Looking for Freedom, Love Me Tender and Paloma Blanca! The audience sings and dances along ecstatically. It was a magical evening in Maastricht, relive it with this fantastic anniversary Blu-Ray.

Kamenný orchestr

A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.

Som om ... tiden stått still

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

This was recorded over three nights at the Philharmonie in Berlin. It does, however, provide a fitting close to the career of Claudio Abbado, conductor of the Berlin Philharmonic from 1990 until May of 2013, when the music here was recorded.

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. Recorded on stage 3 December 2018—15 January 2019 as part of the Autumn 2018/19 season.

Die Walküre (The Valkyrie), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.

What happens when an earth-splitting disaster destroys the home world of a lone living skeleton? As long as he has his most valuable treasure, he doesn't worry about anything else. But can he hold onto his treasure in such a cataclysm?

Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.

Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.

Changing colors according to the music.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

The Summer Night Concert of The Vienna Philharmonic is the world's biggest annual classical open-air concert set in the magical Schönbrunn Palace Baroque park in Vienna. The concert will take place on 31 May 2018 and its theme for this year is 'An Italian Night'. The concert is broadcast on TV and radio in more than 60 countries, and thus reaches an audience of millions. The evening’s repertoire is an attractive combination of extremely popular works for orchestra including the William Tell Overture, the March from the opera Aida and the Intermezzo from Cavalleria Rusticana, as well as famous Soprano arias like Vissi d’arte, vissi d‘amore from the Opera Tosca. Valery Gergiev returns to conducts the Summer Night Concert and is joined by star Soprano Anna Netrebko in what promises to be one of the most popular concerts this year!

Classical music doesn’t exactly have a reputation for being hip. For too long it’s been seen as a stuffy genre for the high cultured elite. WHAT WOULD BEETHOVEN DO? follows a number of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntablists and orchestras together. Notable artists such as, Bobby McFerrin, Benjamin Zander and Eric Whitacre add their voices to the debate about why classical music is still relevant today.

André Rieu - Live in Chile

When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments. The performance was given in the Bach Anniversary Year 2000 – 250 years after his death – in the elegant Hall of Mirrors at Coethen Castle. The Freiburg Baroque Orchestra’s members all have virtuoso skills. They take the spotlight gracefully for solos but also play with the true ensemble spirit required by the music. Their decision to perform without a conductor revives an eighteenth century practice.

W. A. Mozart: Così fan tutte