A landscape film about isolation, fear, and the ever-presence of religion in rural Pennsylvania.
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.
Canada is facing a housing crisis, and cooperative housing might be a part of the solution.
Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.
An observational documentary, shot on high-contrast black and white 16mm film, about a largely undeveloped river in southeastern North Carolina that is home to the oldest trees east of the Rocky Mountains.
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.
Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help. With the Idle No More movement making front page headlines, this film provides background and context for one aspect of the growing crisis.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
"Time" takes you through the city at night, capturing fleeting moments. With dynamic visuals and an atmospheric soundtrack, this short film explores the nature of existence and memory. Narrated by David Bowie, it invites you to reflect on the passage of time.
A trans Vietnamese woman's deadname being repeated over and over again.
A film photo-montage about an old house that belonged to a traditional local family that was later demolished.
Depois dos Gigantes de Ferro
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.
Chronicling the events surrounding the protests generated by the proposed redevelopment of an empty lot at 105 Keefer St., located at the heart of Vancouver's Chinatown.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.