How to Make a Movie.

An in-depth look at the highly successful TV series, including a study of the philosophical approach of the program.

A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.

Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

Werner Herzog discusses the making of "Nosferatu" on set.

Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.

A documentary about the making of Evil Dead 2.

Interview with filmmaker Peter Bogdanovich about Red River and the two versions of the film.

Diving Deep: The Life and Times of Mike deGruy, tells the story of Mike deGruy, an irrepressibly curious and enthusiastic underwater filmmaker who died suddenly in 2012. DeGruy filmed the oceans for more than three decades becoming as famous for his on camera storytelling as for his glorious, intimate visions of the sea and the creatures who live in it. Inspired to share his legacy as a filmmaker and storyteller, and to spread his mission for protecting the ocean, his wife and filmmaking partner Mimi deGruy returned to the edit room to produce Diving Deep: The Life and Times of Mike deGruy.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

A group of teenagers making a no-budget heist movie are forced to pull off a genuine heist, when the memory card containing their film is taken by the callous manager of a shopping mall.

The latest work from Australian political satirist, cartoonist and filmmaker Bruce Petty contemplates our efforts to imagine the future using animated and live-action sequences, fiction and reality. An accident takes place during the filming of a documentary on the future and the film’s presenter (Rhys Muldoon) slips into unconsciousness. The actor’s muddled neurons recall fragments of his script, and he begins to consider humankind’s past and present imaginings of Utopia – an ideal and perfect state.

Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!

Tells the story of Tucson and the legendary movies that were shot there.

Interview with critic Molly Haskell about Hawks and Red River

Two great filmmakers discuss the evolution of film, 70mm and Tarantino's "The Hateful Eight".

In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.