How to Make a Movie.

Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

A devout Mormon living in L.A. becomes a pornographic actor after his martial arts moves impress a big-time director.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.

Documentary giving an extensive look into the design and development of the creatures created for artist Takashi Murakami's first feature film, Jellyfish Eyes.

Adam Scott presents this behind-the-scenes look at the world's worst first assistant director, with Ken Marino and Mark Duplass.

A coming-of-age documentary that follows a group of young filmmakers as they make their first feature film, Scuba.

A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.

Il était une fois... Vincent, François, Paul et les autres

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

On the verge of bankruptcy and desperate for his big break, aspiring filmmaker Bobby Bowfinger concocts a crazy plan to make his ultimate dream movie. Rallying a ragtag team that includes a starry-eyed ingenue, a has-been diva and a film studio gofer, he sets out to shoot a blockbuster featuring the biggest star in Hollywood, Kit Ramsey -- only without letting Ramsey know he's in the picture.

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

A group of teenagers making a no-budget heist movie are forced to pull off a genuine heist, when the memory card containing their film is taken by the callous manager of a shopping mall.

The director of films for kids called Bonzurka together with her loyal assistants Drahuska and Honza are looking for the actors for a new movie "The Knee". Children for this movie should not be afraid and shy and they must have talent for acting. Thus the scouting is quite difficult. The most difficult is to find an actress for a main character who lost her hair after a serious illness and now has to spent the whole holiday in the countryside with a bald head resembling a knee. Although the makeup artist does his best an artificial baldness does not solve anything. From the selected little girls only the self-assertive Rosemary has the guts to let her long hair to be cut and shave off her head.

François Truffaut (1932-1984), once the most influential critic of the French New Wave, became a brilliant, prolific, and uncompromising director, creating 25 films in 25 years. Internationally honored and beloved for his poignant, often irresistibly wry view of the human condition, Truffaut embodied the auteur's intimate grasp of the film medium. This documentary package -- a special supplement to Truffaut's films in The Criterion Collection -- is a multi-feature tribute that includes Truffaut's rare 1957 film, Les Mistons -- which foreshadowed The 400 Blows.

We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.

Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Marking Play for Today’s 50th anniversary, Drama Out of a Crisis is a compelling exploration of the series, its origins, achievements, controversies and legacies. Featuring a rich and surprising range of archive extracts and original interviews with many who created the series, including producers Kenith Trodd, Margaret Matheson and Richard Eyre, and directors Mike Leigh, David Hare and Ken Loach.