Les Poulettes

Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions..

Bindaas

News explodes like a bomb! Due to the genetic mutation, immigrants living in Italy undergo a noticeable change. Is this wonderful country in danger of sinking? A television reporter decides to go over this strange theory, and the news is on the agenda of the whole country. This fake documentary brings fake news, media, politics and harsh criticism about Italy.

A man encounters colorful characters while driving a taxi in Papua New Guinea.

Un Anhelo Constante

Culture-Clash-Comedy about Turkish brides importet into Germany.

After a migrating duck family alights on their pond with thrilling tales of far-flung places, the Mallard family embarks on a family road trip, from New England, to New York City, to tropical Jamaica.

Two spoiled Beverly Hills sisters who have been left penniless after their father's sudden death are forced to move in with their estranged aunt in East Los Angeles.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

La Migration

The life of Henri de Toulouse Lautrec, famous french painter, who lived, enjoyed, loved in the late 1800s Paris' Montmartre cultural life. He suffered from suffered from congenital health conditions traditionally attributed to inbreeding. His lifestyle and work are a testimony of the late-19th-century parisian bohemian lifestyle, as he was commissioned to produce a series of posters for the Moulin Rouge cabaret opening. As an alcoholic, he was addicted to absinthe. The movie related his love affair with the french painter Suzanne Valadon.

The Zuquillos are four women who have worked for several years in a popular grocery market in the city of Quito, a place where they have cultivated a great friendship. One day, the entire market collapses due to its dire conditions, leaving the main characters without a place of work and in an agonizing situation about their future. So Charo decides to migrate to the United States, where his sister lives, but they deny him a visa at the American consulate. Desperate, she goes to a smuggler and asks him to make her enter the northern country illegally to achieve the American dream.

After he’s grounded by an injury, a high-flying bachelor is saddled with two wide-eyed orphans as they come face-to-face with the dangers and beauty of the outside world.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

Yesterday, today, tomorrow. The days pass, and so does life. Watching the waves to come and go, Laurence compiles sharp fragments of her life. This is an intimate and delicate portrait of a woman, who after all the struggles knows when the most important of all days is.

A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer's social circle seems to improve greatly when a whimsical co-worker enters his life. Only, as he begins to sketch his new friend's portrait, disturbing "voices" from the phone man's past threaten to lead him into a network of destruction

Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

What if nobody wants to believe you? Hanni, a farmer's wife and mother of three, is worried about her daughter Magdalena. The girl is smaller than the others, more sensitive, vomits more often and has increasingly poor eyesight. The doctors, the teacher and the family all say it must be her psyche. Glasses with normal lenses will certainly help. But as a mother, Hanni senses that a new pair of glasses won't change anything and that there is more at stake. Even plagued by an unheard-of memory from her youth, she begins to fight unwaveringly and unstoppably for her daughter's suffering, not only putting her family's happiness and her livelihood at risk, but also not shying away from the Bavarian justice system in the end.