X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
An experimental stop motion film
Experimental short film by Oskar Fischinger
Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.
One morning, Papa transforms into a giant insect in the futon, emerges instantly in front of the astonished family, breaks through the window and flies into the sky. Short animation by Keita Kurosaka for MTV Japan.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
An army of bear cubs train and indoctrinate young recruits for the war against the unicorns, which threatens the safety of the cubs. Brothers Bluey and Tubby, along with a group of inexperienced cadets, are sent on a dangerous mission to save the Magic Forest, where the unicorns live, and start a terrible battle.
A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.
An experimental short from Oskar Fischinger
Roads fall into the sea and a travelogue breaks against the landscape.
La fontaine et la chute IV (les origines)
The film explores girlhood, the positives, the negatives and how that binds us together as women. A feminist film which will give an insight of how precious it is to be a woman and how we build safe environments within our female friendships which allow us to explore our femininity.
La dissolution du paysage
One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film. The word "anima" from which animation is derived, as we all know, means "to breathe life into". And "life" means "limited time" and that there could be an approach that does not include any of the aforementioned "three elements". The result of several years of exploring new methods was an "animated film" that eschews the so-called "animated" structure. This film aims to visualize "shifting consciousness" through a method of filming in which approximately 5,000 pencil drawings are constantly overlapped"
Scroll paintings prepared like film strips with successive images.
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
An animated poem about a dog, her human, and the consequences of a nasty habit.