I Am from Palestine

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

14-year-old Zain, a Palestinian swimming champion, faces war and man-made famine. He becomes the sole caregiver to his little brother. When aid drops into the sea, desperate for food, Zain is forced to swim - not for passion, but for survival.

An animated tribute to the text of "If I Must Die," the final poem written by Palestinian writer, scholar, activist, and martyr Dr. Refaat Al-Areer.

Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.

Eleven-year-old Wardi’s great-grandfather leaves behind a will suggesting looking to the past to find the future. Searching the house, Wardi finds out about her Palestinian homeland from family memories.

Building on testimony from pro-Palestinian activists in Berlin and featuring demonstration footage from between 2023 and 2025, this animated documentary explores activist culture and the people who have spent the past 2 years clashing with German police. By applying an expressive and colourful brush stroke to the experiences and anecdotes of two people closely involved with the movement, we look into the motivations that have driven them to get involved and their reactions to the repression they have experienced. Staatsraison attempts to shine light on police violence and explore how repression can drive someone ever further into a political movement.

Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.

The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist’s impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity – that cinema fuels memory.

A visual interpretation of the poem "the girl / the scream" by Mahmud Darwish.

Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.

In Layaly Badr’s documentary short, Road to Palestine, seven-year-old Layla – who has been badly injured in an air raid – lives in a refugee camp outside Palestine. Layla and her friends describe how they imagine Palestine, despite never having seen it.

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?

Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Two childhood friends are recruited for a suicide bombing in Tel Aviv.

After Hamas kidnapped 251 people from Israel on October 7, and as Israel’s war in Gaza unfolded, a conflict thousands of miles away erupted on New York’s walls. TORN captures the emotional fallout of the now-iconic “KIDNAPPED” poster campaign - a grassroots act of solidarity that quickly became a flashpoint, igniting fierce confrontations between pro-Israel and pro-Palestinian New Yorkers. Through the voices of artists, activists, and hostage families, the film unpacks the motivations behind those putting up and tearing down the posters, exposing a complex proxy war fought in stickers, slogans, and torn paper. By revealing how a distant war fractured daily life in one of the world’s most diverse cities, the film forces a reckoning with identity, free speech, and empathy in an age of polarization.

Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.

October 7, 2023 was one of the deadliest days of fighting ever in Israel, with around 1,200 people killed after Hamas launched its attack and 250 taken hostage – many of whom have either died in captivity or not yet released. The project features testimony from four victims and first responders, who witnessed the massacre and its aftermath: a farmer who helped rescue young people, a young survivor of the Nova music festival who took refuge in a shelter only to witness friends being murdered, an ultra-orthodox musician who volunteered to identify victims, and a mother whose son was kidnapped and taken to Gaza. A sentence uttered by the musician, who had seen 100 dead bodies in a single day, was the inspiration behind the title.

During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. The film follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.

Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance.