Looking for Dayton

Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.

An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.

The docu-drama takes place during the war in the former Yugoslavia. A young journalist arrives in destroyed Sarajevo and finds out how people live in the middle of war. He encounters everyday problems that an individual, especially young people, has to deal with.

Documentary about the massacre of Bosniak army committed over soldiers of Republika Srpska during 1990s Bosnian wars.

In this exciting documentary you'll join a small team to the Bosnian city of Visoko. They've heard of a man called Semir 'Sam' Osmanagich. He claims to have discovered huge old pyramids, a vast network of underground tunnels and an ancient tumulus. For four and a half days he guided our team around, in search of proof of his claims. The Bosnian Indiana Jones, as Osmanagich is nicknamed, promised to show our camera crew the best places. So it would be definitive once and for all that there really are pyramids in the Bosnian Visoko valley. But are there? Or is it the biggest hoax in history?

We are humans. El éxodo contado en primera persona

The extraordinary story of Sanja and Zoran, a couple who in 1993 fled and survived the siege of Sarajevo, the longest war in 20th century history, to find refuge in Italy, in Turin. In their life experience, past and present come together to give voice to friendship and hope, reflecting on war, prejudice, tolerance and acceptance.

A project of theatre-documentary on the Srebrenica massacre.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.

On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.

Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in refugee Centers, usually located on the outskirts of cities and villages. In such centers what should have been temporary has become indefinite. Collecting medicinal herbs or scraps from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.

A film about a generation of four friends who grew up together in Sarajevo. They are the friends of filmmaker Lidija Zelovic-Goekjian, now living scattered across the world. What has happened to them over the past 13 years: how did they survive the war, how do they live now, how do they look back on their former lives, on Sarajevo, and on their old friends?

In present-day Bosnia and Herzegovina, economically depressed towns turn themselves into tourist destinations in order to survive—deliberately forming their own cultural narratives. Centering on four different locations, The Stone Speakers interrogates a nation’s contradictory memories. Made with subtlety and tactful distance, director Igor Drljaca’s film reveals the traumatic consequences of being a country that is stuck in a postwar identity crisis.

A run-through of, art rock duo, Pinball's formation, discography, and all-around existence, with featured interview snippets from other musicians, record store owners, and visual artists.

In September 2004, Himzo Muratovic returned from the dead. Himzo turned up in a taxi in his Bosnian Muslim village, 12 years after he disappeared at the height of the Serb terror. His mother fell unconscious when neighbors told her that her missing son had returned. For several days the village celebrated the return of the long-dead Himzo Muratovic.

At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.

The compelling stories of four young people as they struggle to survive a war that ended nearly 20 years ago. The physical conflict is over - but its psychological impact continues. Can they break the cycle of violence?

Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.