Looking for Dayton

Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

A personal interpretation of the blockade of Bosnia and Herzegovina's capital.

Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public.

Among the many dramatic episodes of the siege of Sarajevo in the years 1992 to 1996, the story of a human safari has remained concealed from the public eye. Few people knew that those fighting the war on the Serbian side were not only the Bosnian Serb Army, volunteers and mercenaries but also a small, clandestine group: wealthy foreigners who paid high fees for the chance to shoot at the residents of the city under siege.

Between 1993 and 1995, artist and photographer Louis Jammes took pictures of people on the streets of Sarajevo under siege and gave them angelic face and wings. Then he put his huge portraits on destroyed city walls. Suddenly, it seems as life is getting back with their arrival, because they brought a sense of peace, beauty, nostalgia...

An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.

A surreal exploration of the war in Bosnia told through the unbreakable spirit of seven of her people whose strength to leave was as powerful as the fight to stay. Through the lens of diaspora, the film captures not just the weight of displacement, but the defiant act of survival and the unwavering pursuit of home, no matter where the journey leads.

Documentary about the massacre of Bosniak army committed over soldiers of Republika Srpska during 1990s Bosnian wars.

The docu-drama takes place during the war in the former Yugoslavia. A young journalist arrives in destroyed Sarajevo and finds out how people live in the middle of war. He encounters everyday problems that an individual, especially young people, has to deal with.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.

A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.

I went to Bosnia after war ended, in 1996, when the Danton Peace Accord was being implemented. Bosnia had been divided in two entities, which separated the two main opposing forces of the conflict; the Serb Bosnians and the Muslim Bosnians. Two years later, in 1998, I returned to Bosnia... This movie is a diary of the two voyages, in which I deal with the memories of the war, the death and destruction and with the victim’s struggle who don’t know how to return home.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

A small bar in Sarajevo is a safe space for queer people.

We are humans. El éxodo contado en primera persona

A project of theatre-documentary on the Srebrenica massacre.