Mourning in Lod

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

Holot Nodedim

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

A selection of Dermot Morgan's family, friends, colleagues and admirers, including Pat Shortt, Oliver Callan and Pauline Mc Lynn, look back on the life of the comedian, writer, satirist and actor whose savage wit belied a caring nature and reflect on his place in the annals of comedy greats.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

69, année pandémique

The film tells the compelling and moving stories of two remarkable young women living in Gaza and the struggle of Gazans trying to maintain their humanity and humor while hoping to find some sense of normality in a world that is anything but normal.

After a terrible accident deep inside an underwater cave, the survivors are forced to risk their own lives to bring the bodies of their friends home.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Two bored mans talking about an interesting topic while everyone is condolences for a family who mourns the death of a loved one.

Darwin meets Hitchcock in this documentary. Directors Dan Geller and Dayna Goldfine have created a parable about the search for paradise, set in the brutal yet alluring landscape of the Galapagos Islands, which interweaves an unsolved 1930s murder mystery with stories of present day Galapagos pioneers. A gripping tale of idealistic dreams gone awry, featuring voice-over performances by Cate Blanchett, Diane Kruger, and Gustaf Skarsgard.

Death, the passage of time and eternity. Big topics, but seen from a new and original perspective in a film based on a simple idea: that one's sense of time ceases to function when one dies, and that one for a short – or in fact very long – moment has the chance to experience eternity. And to therefore live in a single memory forever. Which one would you choose? 'I Remember When I Die' takes place at life's last destination, a hospice, but is a poetic and vital journey into the borderland of consciousness, and right into a possible afterlife.

Through poetic cinematography and stories of teachers sharing their wisdom with children from a range of backgrounds, the film showcases the benefits of mindfulness as a way out of violence and suffering, and as an attainable solution for younger generations.

Najwa, Nawal and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian authority controls the back. At the entrance to the house a military post, on the roof the Israeli army has placed a watch point over Palestinian Hebron. Three women, trapped in the middle, constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

Documentary about the murder of Vincent Chin in 1982 and the aftermath. The documentary also explores the modern Asian-American identity when so few Asian-American youths are aware of who Vincent Chin is.

Ewa Hołuszko is a remarkable figure. In the 1980s she bore the male name of Marek Hołuszko, an active Solidarity movement activist. After 1989 she could not fully enjoy the regained freedom as the place of communism was taken by another enemy, more difficult to defeat, intolerance and exclusion. Gender change made her realize how far away Polish society is from full freedom. Nevertheless, she still believes that it is possible to live in a different Poland, free from stigmatization, persecution and prejudice against others.

Tupac: Aftermath is a delicate sequel to Tupac: Conspiracy, which takes the viewer to the days following the death of the rap artist. Cover-Ups, decpetion and rumor flowed through both Las vegas and Los Angeles, setting up the biggest unsolved murder case- and biggest lies about it, in recent history. Interviews with his close family and friends- as well as those who were inspired by him- perfectly reflect the fire, intensity and passion of this artist. not to be missed, find out the rest of the story in Tupac:Aftermath.

Gangstresses, a documentary by Harry Davis, tells the story of violence, poverty, and survival in the streets from a female perspective. Over a two-year period, Davis interviews female hustlers, drug dealers, rappers, porn stars, prostitutes, mothers, and daughters. Among them are Champagne, a well-known African American porn star who has a small child; Mama Mayhem, a street hustler; Uneek, a rapper from the Bronx; and Vanessa Del Rio, a famous porn actress. Musicians Lil' Kim, Mary J. Blige, Ice T, and Tupac Shakur also share personal stories of survival. The documentary conducts follow-up research on the women's complicated lives, offering glimpses of both tragic reality and hopeful recovery.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.