This House Is Not A Home

A journey through the fantastic and mysterious Barcelona that the Spanish writer Carlos Ruiz Zafón (1964-2020) loved so much, the city of myth and legend, the city that was before it became one of the main European tourist destinations.

10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.

Tupac Amaru, algo está cambiando: something is changing

Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.

A collaboration between acclaimed Canadian documentary filmmakers Nik Sheehan (FLicKeR, No Sad Songs) and Albert Nerenberg (You are What you Act, Laughology), Who Farted? is the world’s first climate change documentary comedy — and hopefully not its last. Who Farted? suggests that understanding our place in nature is essential to our continued existence as a species. If we can’t deal with our own flatulence, how can we hope to comprehend the looming climate catastrophe? Are farts malevolent? Disgusting? Beneficial? Hilarious? What exactly is a fart? And how much does animal flatulence truly contribute to runaway climate change? From antiquity’s first fart joke to the ubiquitous whoopee cushion, the act of flatus both amuses and dismays... and now may contribute to civilization’s demise. Who Farted? is a frightening, illuminating, and funny journey through the absurd reality of 21st Century human survival.

During the summer of 2023, my father decided to hang up the boots and walk away from the family business of 25 years. This is my love letter to the cafe in which my family and I have worked, encapsulating the good vibes and cheery nature the business held for a quarter of a century.

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

In 2001, a series of leaks within the Bionicle community began to appear, claiming that a seventh protagonist named "Voriki" would be arriving soon. And though those leaks turned out to be fake, the legacy Voriki has left behind has more than made up for it.

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

This documentary chronicles the relocation of an entire town in Newfoundland, Canada.

In one picturesque village in Sussex, life is very different. There’s no crime, debt or homelessness, everyone has a job but no-one earns a wage, and none of the children watch television, use social media, play video games or have a mobile phone.

In recent years, the Marga Marga Province has witnessed a drastic change in the visual and sound landscape due to urban expansion. Faced with the observation and the need to explore the territory that seems more and more alien and less and less our own, the film functions as a material resource and support for plastic reflection on living in the midst of capitalist progress.

When a firefighter comes to your house, chances are that their lives were just like yours not too long ago. 70% of all firefighters in Canada are volunteers, meaning in most cases, they were just eating dinner, coaching a team, or even at their actual job. To raise awareness of the need for volunteer firefighters, "Answer the Call" will showcase the unique lifestyle of volunteer firefighters, and have them shed light on the risks and rewards of living a double life.

Filmed entirely inside the world of virtual reality (VR), this immersive and revealing documentary roots itself in several unique communities within VR Chat, a burgeoning virtual reality platform. Through observational scenes captured in real-time, in true documentary style, the film reveals the growing power and intimacy of several relationships formed in the virtual world, many of which began during the COVID-19 lockdown, while so many in the physical world were facing intense isolation.

This documentary offers a glimpse into the 1997 federal election in the Halifax electoral district. Two strong female politicians, Liberal candidate Mary Clancy and NDP party leader Alexa McDonough, are caught in a tight competition in one of the most contested races in the country. Director Meredith Ralston follows the two women around the campaign trail for weeks, getting inside an election that was often described as “nasty.” Both larger than life and hungry to win, in quieter moments Clancy and McDonough reveal the strains and contradictions of their chosen careers. Why Women Run highlights the accomplishments of women in politics and the problems many women face participating in the political process.

This documentary short is a portrait of Leader of the Progressive Conservative Party and 13th prime minister of Canada, John George Diefenbaker (1895-1979). Diefenbaker's political career spanned 6 decades. When he died in 1979, his state funeral and final train trip west became more a celebration of life than a victory for death.

Cruel Architecture, a Tool of Gentrification

A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.

This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.