Shangri-La

The film was made in one take over a period of four hours, using a manual time-lapse facility on a Sony PD170 DV Camera. It was shot up in the Faroe Islands whilst looking down onto the small village of Tjornuvík. The voice over is an ode to Andrew Kötting's dead father, which was written and recorded earlier in the morning in one of the small Faroese crofts that the camera looks down upon.

The Mailbox

Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.

An expressive short film in which examples of early and modern art are juxtaposed to reveal correspondences.

Pepé describes his house. He plays in the rain. At night he admires the stars, enjoys the vegetation and the colors of the afternoons. The animals around him look at him in amazement, he infects them with joy. Pepe is happy to live in his house, which is Earth.

A sci-fi action thriller about a fighter taking vengeance because of the past repercussions.

Devin, a concerned neighbor finds himself in the middle of a crisis when he suspects his neighbor, Ashley may be getting abused by her boyfriend. He is faced with a decision to further investigate the suspected abuse or to take the advice and not intervene in the situation.

Manuel and Alexander met in 1945. They fell in love and together they fought for the creation of laws and norms for inclusion and equality in society.

'Intended Parents' is a short film about a Black millennial couple, seeking to expand their family through surrogacy. With one partner identifying as a transgender woman, the couple (Alexandra Grey as "Robyn" and Lawrence Locke as "Anthony") find themselves continously educating or being imprisoned by outdated traditions and opinions from loved ones. While the film explores the intersections of love, gender, surrogacy, acceptance, and desperation; the powerful couple aims to deflate multiple negative stigmas as they prepare for the life-alternating roller coaster of fertility and surrogacy.

A Hopeless father is about a man struggling to take care of his son after his child's mother leaves them both. We watch a man struggling to raise his son while going through challenging times. He experiences exactly what single mothers go through to raise a child.

After suffering their fourth miscarriage using IVF, lesbian couple Willow and Lydia are desperate for a baby and running out of options, which leads Willow to try an ancient fertility ritual.

People magically appear and disappear from an oversized musical cigar dispenser.

This Spanish-language short was made using stop-motion animation and features very simple sets and characters. However, despite the relatively low budget, the film turns out to be a very effective way to teach kids about the dangers of unprotected sex. The film begins with three teenage girl dolls sitting on a bench. Without using actual words but sort of a Sims-type speech ("Bla, bla, bla"), the first girl describes her perfect man. Then, suddenly, he appears---as does a bed...

Produced by the Highway Safety Foundation in 1964, this shocking film deals with a subject quite taboo for its time. The short serves as a dramatized warning, ending with graphic case studies.

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

Las Raíces del Roble

This bone-chilling minimalistic animation film (made with black, white and red colors only) is voiced by the director herself, the Australian illustrator Anita Lester, whose grand-aunt had lost her entire family in Nazi camps and has then gone mad. Her confused, distorted, extrapolated memories full of despair and horror, of mysterious interiors and someone’s eyes, became the foundation of this impressive conceptual short film.

The slow construction of an image, to the rhythm of steps, ends when the monster meets his Bride.

A couple of slackers' apartment is invaded by a garden shear-wielding maniac (think The Burning) bent on brutally murdering everyone in his path.

After being for eleven years in the city, José António Baptista returned to his home village to focus on literature.