Ghosting

Prince Leo, last in the line of rulers of a long-deposed monarchy on continental Europe and jaded with the frenetic search for kicks with the European jet-set, returns to his father's London town house for rest.

Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min

A man stays alone with his children in a half demolished house in the middle of a desolate field. His wife has just been killed by a grenade in a military battle. He is expecting a new attack. Instead a wandering caravan called Circus Fantasticus stops by the house. They bring along the dying director of the circus. Is it possible for anything beautiful to happen in a landscape of war and death? Can life go on? Is it possible to realize that death does not exist?

The why is an experiential meditation on death, on loves lost, the duality of mind, and ultimately the nature of attachment and memory turned obsession.

A man wakes up in an unpleasant predicament.

Chaos, Murder, and Despair have walked among humans for eons, tasked with sowing discord among them. However, the thrill of Earthly life has long faded, and with it, their power. Only one way exists to reclaim it: resurrect their long-dead sister.

Sam is a sound technician, who must literally walk in the footsteps of the characters on the screen. A "film within a film" that connects the world of modern film-making to the Paris of painter Toulouse-Lautrec and his model/lover Mireille.

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.

Six distinct, lighthearted, absurd tales that were filmed in and around LA. Includes the short 'Backyard Barber'.

An elderly man has his dental appointment confirmed, he walks there from a group of tall apartment blocks, has a mould made of his teeth, it is rejected and another made.

Barra da Tijuca, West Side Zone of Rio de Janeiro. A wave of murderers plague the area. What starts off as a morbid curiosity for the local youth, slowly begins to spoil away at their lives. Among them is Bia, a 15-year-old girl. After an encounter with death, she will do anything to make sure she is alive.

A monster and his emperor scorpion are confined to a room.

Trans woman Mirae, who just can’t live with her family, tries to get a house by assault settlement.

An experimental short film by Walerian Borowczyk and Jan Lenica.

Trapped between the frames of time.

After a dream about a murder investigation, a professor discovers a pregnant woman in her house. When she enters, details about the crime resurface.

The story involves a gifted young rock drummer named Bay who commits a grisly murder and becomes a fugitive from the law. Trained by a monk in a style of drumming called the Drums of the Gods, which treats drumming as a martial art for the forces of good, he must face his opposite drummer from the dark side.

Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.

A night when parasites of various green forms devour humans. A cruel food chain that never ceases, and an eternal repetition of life and death. A grotesque and strange parable drawn by Yoji Kuri. Isao Tomita's synthesizer music echoes quietly and eerily.

Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights. Now presumed dead by those he loves, he performs for the poor and unfortunate on his journeys through the wilderness. Parajanov's visually ravishing 'tableaux vivants' tell Lermontov's romantic tale while Turkish and Azerbaijani folk songs transport us into its mystical landscapes.