Dissonante

With £2.50 in their bank accounts, two friends Saoirse and Emma vow to have the greatest night of their lives at a punk poetry party. They discuss the current state of their lives while determined to keep the little riots inside of them alive.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Moving through its five parts, the work describes a cycle of birth through to death, depicting both an eternal, universal Mary, and an earthly Mary representing human life on Earth.

Joy Brown (Billie Dean) is a 40-something woman with little confidence, less self-esteem and a burning desire to realise her dream of being a singer/songwriter. But she cant sing. When Joy takes in a stray dog, Raffi, her life immediately changes. Her best friend, the tarot card reading Tessa (Janet Watson Kruse), moves in, Joy changes her name to Luna Starr, and she meets Peter Wolfman (Andrew Einspruch). When Peter encourages her to perform with him at the local pizzerias folk music nights, Joy sings sort of hiding behind masks of wigs and silliness. Despite the singing, Peter and Joys relationship blossoms. But there are lots of hiccups along the way -- ex-wives, ex-husbands, frightening performances, and bucket loads of doubt. Set to the backdrop of the folk music scene in an arty country town, the film celebrates universal themes of friendship, low self-esteem, love relationships, and the joy of dogs.

Amiran is sold to a brothel by a corrupt cop after her father testifies against him. Many years later, she grows up to be an accomplished poetess and a renowned courtesan, Umrao Jaan.

Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.

After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.

Between surrealism, unusual characters, art and magic tricks, "Swim Little Fish Swim" is a dreamlike journey from childhood to adulthood.

Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

video art about growing up and the longing for childhood available on YouTube

While you wait to hear if they'll pay your claim, there is almost nothing like the silent buzz at the other end of the line. Or when you say something that requires a response and the world says back, "no worries". There's an art to miscommunication, unthinking, the void, and the customer service call. Phoning it in might just be a necessary part of life. This rough-edged sketch mixing performance art living and film is a study of the phone call, American doofiness, and blank minds under the reign of the corporate call script. Everyone is impotent in the institutional setting.

BEIGE

HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)

A woman, A man, Spirals. A performance.

Oblio

A passionate mime practices her daily rituals and performs for people, as well as being reminded of her insecurities.

This experimental short film by Iain Delavan serves as an abstract, yet harrowing expression of his struggles with Post-traumatic stress disorder, due to his repeated childhood sexual abuse. Iain was diagnosed with PTSD in March of 2022, and this film boldly represents the continued battles that Iain must face every day, such as severe depression, self-harm, panic attacks, flashbacks, nightmares, suicidal ideations, and other painful symptoms.

Translated from a self-reflexive Chinese saying, Yun Lam Li's I thought of you often, this film is a visual poem about the meaning of aging within a culture that is not one's own.

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