Dissonante

With £2.50 in their bank accounts, two friends Saoirse and Emma vow to have the greatest night of their lives at a punk poetry party. They discuss the current state of their lives while determined to keep the little riots inside of them alive.

Amiran is sold to a brothel by a corrupt cop after her father testifies against him. Many years later, she grows up to be an accomplished poetess and a renowned courtesan, Umrao Jaan.

Joy Brown (Billie Dean) is a 40-something woman with little confidence, less self-esteem and a burning desire to realise her dream of being a singer/songwriter. But she cant sing. When Joy takes in a stray dog, Raffi, her life immediately changes. Her best friend, the tarot card reading Tessa (Janet Watson Kruse), moves in, Joy changes her name to Luna Starr, and she meets Peter Wolfman (Andrew Einspruch). When Peter encourages her to perform with him at the local pizzerias folk music nights, Joy sings sort of hiding behind masks of wigs and silliness. Despite the singing, Peter and Joys relationship blossoms. But there are lots of hiccups along the way -- ex-wives, ex-husbands, frightening performances, and bucket loads of doubt. Set to the backdrop of the folk music scene in an arty country town, the film celebrates universal themes of friendship, low self-esteem, love relationships, and the joy of dogs.

Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.

Moving through its five parts, the work describes a cycle of birth through to death, depicting both an eternal, universal Mary, and an earthly Mary representing human life on Earth.

Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Between surrealism, unusual characters, art and magic tricks, "Swim Little Fish Swim" is a dreamlike journey from childhood to adulthood.

After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

While you wait to hear if they'll pay your claim, there is almost nothing like the silent buzz at the other end of the line. Or when you say something that requires a response and the world says back, "no worries". There's an art to miscommunication, unthinking, the void, and the customer service call. Phoning it in might just be a necessary part of life. This rough-edged sketch mixing performance art living and film is a study of the phone call, American doofiness, and blank minds under the reign of the corporate call script. Everyone is impotent in the institutional setting.

BEIGE

A woman, A man, Spirals. A performance.

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)

Grande Muralha

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.

Oblio

video art about growing up and the longing for childhood available on YouTube

Da Corte found inspiration in Leonard Cohen's music, particularly the 1974 song "Chelsea Hotel #2," after which he named his breakthrough video in 2010. Filmed on a cellphone, Chelsea Hotel No. 2 takes place against a white backdrop that highlights the vibrant colors of random objects and foodstuffs Da Corte manipulates in front of the camera. His hands—covered in flour, ground coffee, sequins, packing tape, or aluminum foil—enter and exit the frame to perform a series of bizarre tasks. He stacks and presses slices of bread, squeezes purple dish soap into a neon green hamper, peels a banana with a gold hoop, rolls a calla lily into green bubble wrap, cuts bologna with large rusty scissors, and paints unripe cherries with red nail polish. We also see a gilded head of lettuce sprouting a rose on top of an overturned yellow basket and the fall of a standing broom and a blue chair as one of its legs is pulled out.