Nicola Adams: me and IVF

Amy and Alex, of Virginia, were married in the District of Columbia after same-sex marriage was legalized. Eager to start a family, the newlyweds planned for months to get pregnant through artificial insemination. After several attempts they were finally pregnant. But joy quickly turns to sorrow as Alex learns she is banned from adopting her own child in Virginia because she's gay. Legal Stranger documents the journey of a same-sex couple trying to create a normal life for their child in a state and country which refuses to recognize their marriage.

On a fishing trip with Matthew Shepard's father, five disparate dads discuss their love, hopes and fears for their trans kids in this short documentary.

Jon is a typical teenage boy in all respects except one: he was born a girl. He has now been diagnosed with gender dysphoria, a condition that affects over 100 British children every year, and is embarking on an extraordinary journey of transition. Director Julia Moon follows mother and son through the first three months of Jon's life-changing treatment as the testosterone pushes his female body into male puberty.

After starting a family of his very own in the United States, a gay filmmaker documents his loving, traditional Chinese family's process of acceptance.

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.

Following the debate over California's Proposition 8, this short film is an exploration of how modern American families are constructed, not only those within the LGBTQ community.

A British lesbian couple with one child and looking to get pregnant again partner up with two gay men to make their expanding family a reality,

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

Explore timely, personal stories of LGBTQI+ families who strive to build lives in their communities despite biased legislation and mounting prejudice.

CHOOSING CHILDREN is a pioneering film about parenting in non-traditional families and helped to open dialogue about the meaning and reality of the "modern family." This film takes an intimate look at the issues faced by lesbians and gay men who decide to become parents after coming out.

Two British families discuss the challenges they face raising children who identify as a gender different from the one they were assigned at birth.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

Raising Hell is a 2010 documentary film by Ed Webb-Ingall that explores the experiences of children of gay and lesbian parents.

As the second work of young director Ran Yinxiao, "May the Rivers and Seas Flow Upward" is set in Chongqing and tells a different kind of family story between three people who are not related by blood. The film has a time span of nearly a century and records the life trajectories of two generations and two families.

When the teenage adoptive daughter of two hyper-devoted gay parents seeks a relationship with her nonjudgmental birth mother, they explore the complications and joys of uniting their big, loud, multi-ethnic families.

The story of four young people, ShinAe Ahn who is transgender, and three others, pan-sexual, gay, and lesbian respectively, who are fed up with the oppressive and authoritarian conservative government and its influence on the country. ShinAe Ahn decides to run for the office of prime minister, with the help of her friends and supporters. She meets a lot of caring people, and also a lot of haters. The current Prime Minister is not at all tolerant of the LGBTQIA+ community and is trying his hardest to stop any party that does not follow the orders of the conservative government from running without any logical reason to do so. That creates a political divide within the country, as politicians will attack anyone who is and/or who acts differently, or who stands up for people/themselves who they personally don't like. This story however is being told after the fact, a few years after the election, when ShinAe won as prime minister.

A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.

"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?