Margaridas

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

Welcome Home.

Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.

A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.

Moses searches for history into palletes.

A troubled man returns home for the last time.

Two gay men in Japan discuss the end of their respective relationships.

the emotional rollercoaster journey of a wood cutter when nature is paying back.

The emotional decline of a person after being the host of an energetic parasite.

Dernière St-Valentin

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

A person spends some time in a room

The Internal Void of a Damaged Mind

A suicidal teen develops a candid rapport with the student from Shanghai assigned to watch her in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship and alters their inner chemistry.

Jess confronts a piece of her past on the platform…

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.

Quando Ele Deitou Pela Penúltima Vez