The Meal

A Modern Affair is an independent feature directed by Vern Oakley and produced by Tribe Pictures. Starring Stanley Tucci and Lisa Eichhorn, the film's plot reverses the conventions of romantic comedies: instead of man meet woman - fall in love, marry and have baby, in this film the woman gets pregnant, then meets the father, then falls in love. Grace Rhodes (Lisa Eichhorn) is a lonely, successful executive whose biological clock is loudly ticking.

When Jamie's maternal grandmother dies, he and his brother Tommy are separated - Tommy is taken off to a welfare home and Jamie goes to live with his other grandmother and uncle. His life is far from happy, filled with silence, rejection and bouts of violence.

A ten year old boy gets tired of life with abusive parents and cashes in his piggy bank and steals a Mustang. He rides off into a surreal America playing "Motorama," a game sponsored by Chimera Gas Company. He has various encounters with different people, and eventually reaches the Chimera Gas Company where he finds they are not playing by the rules of the game.

An artist, Robert Pickman, becomes obsessed by visions of unworldly horror, revealed to him through an ancient artifact discovered in an abandoned church.

Teacher Sara has always played by the rules and has never thought of herself as one who's attracted to the "bad boy" type. That all changes when tattoo artist Virgil takes part in a classroom show-and-tell session and Sara reluctantly finds herself attracted to the biker guy. Will straightlaced Sara allow herself to fall for a man who's completely different from her?

A reporter finds herself entangled in a mystery after returning to her hometown to find out what happened to her brother and more than thirty people who have disappeared there.

Øivind, Whalter and David-Isak are going on a trip into the woods, there they meet a stranger that seems a bit weird and wants to ask the boys to dinner. They decline, but is this the last they see of this man?

Standing at the alter hopeless romantic Emily is seconds away from sealing the deal, but in a moment of distress she flees. Taking refuge in an old fashioned sound studio she is able to persuade herself to go back, but getting back is more complicated than expected... Emily is thrown into 50's Hollywood version of Paris without a way to get back. Her only hope for returning in time lies in the hands of the man who has no intention to lose her. In a series of Screwball-esque clashes and musical numbers Emily takes heed of her true feelings, but is she ready to act on them?

A young cape-verdean fighter will have to enter a dangerous boxing match to try to save his father.

Kenan is brought up by his foster father, Azmi Bey. As he grows up, he falls in love with Azmi Bey's beautiful daughter Nalan. Nalan is diagnosed by Pleurisy, which leads to a series of tragic event.

The film revolves around the hunt for a serial killer who is known to cut the shape of a daisy into the bodies of his victims.

A transfixing, rarely-seen 16mm miniature made as part of Rohrwacher's opera production of La traviata in 2016.

A lone dancer in an urban housing estate performs the pedestrian choreography of an inflight safety demonstration.

Monty, a gay Chinese guy living in London, makes it a habit to date only white boys. When his handsome East Asian neighbor invites him over for dinner, Monty has to decide if he's an Anglophile or simply prejudiced.

Leila is Moroccan, Mathieu is French. They made the decision to get married. The marriage approaches and they only miss one more document: the certificate of Leila's celibacy which will be delivered to them only if the young woman marries a Muslim. No choice, Mathieu has to be converted to Islam.