An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Camille's life is ruled by the ring of the alarm clock each morning. Her well-ordered life consists of preparing her cat's meals, and hearing the familiar sound of the automatic till in the store where she works as the cashier. But one day, a man enters her home without her knowing and starts living there during the day while she's at work. Little by little, he will free her from her chains.
Two cops portrayed by Michelin Men chase an armed Ronald McDonald through the streets of a fictionalized, stylized city.
Korea's leading modern literature writers Kim Yu-jong, Lee Hyo-seok and Hyun Jin-geon revive literature with pictures. "Spring", about the youthful romance of the 20s, "A Lucky Day", about the terrible sadness of the 40s and "Buckwheat Flower" is about the lingering memories of the 60s.
A young woman lives with her sleeping husband. Prisoner of her loneliness, she refuses to accept that this man is only a memory.
A Ship's Chef
The Tartlet
La Faim du monde
Calaveras
The mountain giving birth
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Documentary on industrial lubrification.
The note seller Bicornu is annoyed by a troubadour named Niglo.
Catfish Blues
Horse Sun
Due to an unfortunate accident involving Obelix throwing a menhir, Getafix the druid not only loses his memory, but goes completely mad. Now deprived of the wisdom of their beloved druid and the protection provided by his magic potion, the Armorican village falls prey to a proclaimed soothsayer who comes with ominous predictions and overweening ambitions. It's up to Asterix to keep his villager friends within reason and hopefully get Getafix to remember the magic potion's recipe before the impending Roman attack.
Memories split in the space.
Film directed from the play "Orpheon", directed by François Tanguy, played by the Compagny of Raft.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
One little ancient British village still holds out against the Roman invaders. Asterix and Obelix are invited to help. They must face fog, rain, warm beer and boiled boar with mint sauce, but they soon have Governor Encyclopaedius Britannicus's Romans declining and falling. Until a wild race for a barrel of magic potion lands them in the drink.