El hombre cine mexicano: Pedro Infante, el mito

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Daniel seeks catharsis by recalling with Sofía his past relationship.

A divided team heads to a corporate retreat after receiving an enticing proposal. During their time away, they must overcome their differences and find a way to reunite.

Ángel and his mother Rosario live in a neighborhood, where without prior notice, they are affected by a water shortage in the city. Despite their conflictive relationship, they must find an alternative so that they can have the valuable resource back

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

A 17-year-old teenager maintains a troubled relationship with her mother due to the pressure she generates on her to lose weight, and expresses her feelings through painting.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.

Elena is in charge of the library in a private school. His monotonous life is affected when a new child arrives at school with whom he is obsessed and whom he treats like his son. One day he decides to take him away, generating a crisis in his real mother, Andrea, who will do everything possible to get him back.

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

Roy Del Espacio (aka Roy From Space) was a Mexican animated movie directed by Hector Lopez Carmona, Rafael Angel Gil and Ulises P. Aguirre that was in production from 1979 to 1982, being released in theaters in Mexico City in 1983. However, the end result was apparently of really poor quality, so much that the movie was pulled from theaters only two days after its premiere. The movie was never broadcast on TV nor released on home video, and information about it or its creators is almost nonexistent. The only surviving visual information is a promotional poster containing both original art and a black and white still from the movie.

Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.

Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.