El hombre cine mexicano: Pedro Infante, el mito

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

The police plan to capture a killer by using a double that looks exactly as one of his victims.

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

A sadistic psycho, disguised as a military man and wearing a helmet, attacks and murders (mostly) women in a small town. It's up to the police captain and his girlfriend (who must act as a decoy) to stop him.

Nocturno a Rosario

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Emilio strikes up a conversation with Jennifer in which he tells her about his afflictions about his life and his family, and then finds himself with a pleasant surprise for him, but with sadness for her.

Yo Creo En El Ruido

Pretensión

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

Nacho and Memo start working as night watchmen in a Tequila factory. It is a stormy night. As soon as they recognize themselves alone in the middle of the huge industry, they get ready to drink and then they discover an intruder inside the facilities. It is Don Catarino, an old beggar who lives off the mercy of the employees and is the one who warns them that a lost soul usually appears in that factory on stormy nights. He pleads with them to ignore her and not allow her to involve them in her troubles. As soon as he disappears, a woman asks them for help to shelter from the storm.

Teresa has a frayed relationship with her girlfriend Veronica. Teresa's attempts to stay close to her are thwarted, which will lead Teresa to make a decision that will completely change their lives.

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.

Two friends decide to steal a shopping cart.

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.