The Woods Are Real

After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Suzie, a hopeful fashion school graduate seeks inspiration in the city of Paris after moving in with her famous DJ boyfriend. Bored and left alone in an unfamiliar city, Suzie attends a mysterious fashion show, where she soon finds out that there is something sinister going on beneath the designer clothing.

Three college students, Phil, Ed, and Henry take a road trip into Mexico for a week of drinking and carefree fun only to have Phil find himself a captive of a group of satanic Mexican drug smugglers who kill tourists and whom are looking for a group of new ones to prepare for a sacrifice.

After their car breaks down, a group of young travelers find themselves stranded at a roadside museum run by the enigmatic Mr. Slausen and populated by his collection of life-like wax mannequins.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

Cry Baby, a strong and sensitive girl, is sent off to a disturbing sleepaway school that’s hidden underneath a grandiose façade. Luckily, she has a sweet and unapologetic best friend who sticks up for her when she gets bullied by the other students whose brains are under control by the Principal and his wicked staff. With the help of the magical friends they meet along the way, as well as an Angelic Spirit Guide, they are able to gain the strength they need to fight off the school’s belligerent patriarchal conditioning.

Unveiled through a made-for-TV documentary, five chilling tales of found footage horror emerge to take viewers on a gore-filled journey through the grim underbelly of the forgotten 1980s.

A detective investigating the death of a heroin-addicted prostitute uncovers evidence pointing to the existence of a murderous devil cult.

A young writer is attacked by a notorious cult leader and mass murderer, a man who exerts an inexplicable control over his followers. When she claims no memory of the attack, her family begins to question her motives.

A failing scientist, Azrael Thran, decides to clone himself as a last minute effort to achieve success and escape his controlling father.

The Gateway Meat is a disturbing and sadistic film, that strays far from the normal conventions of the horror genre. It is about a group of Satanists, living in a quaint, coastal fishing town. As the film progresses we get to know the character played by DeCaro himself, Markus. The film is mainly about how Markus struggles as he tries to deal with the great expectations that are placed on him after his fathers death. Markus' father, who was a Satanist, was trying to open up a portal into hell. Now that he is gone, Markus must take the reigns, and gain the power that his father wanted. With the help of his family and a couple of friends, Markus murders his way to power, as his young, preschool aged daughter watches.

The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

A top secret experiment intended to produce a superhuman has gone terribly wrong. Now the creators, trapped in a remote desert outpost, are being pursued ruthlessly by their creation.

A terrified toy salesman is mysteriously attacked, and at the hospital, babbles and clutches the year's most popular Halloween costume, an eerie pumpkin mask. Suddenly, Doctor Daniel Challis finds himself thrust into a terrifying nightmare.

A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.

A young journalist goes deep undercover within a mountain commune and becomes manipulated by a duplicitous cult leader.

A woman's search for her missing sister leads her to the jungles of New Guinea, where she and an expatriate guide encounter a cult leader and flesh-hungry natives.

A father survives a plane crash in rural Appalachia, but becomes suspicious of the elderly couple who take him in to nurse him back to health with the ancient remedies.