Every Man for Himself

Three women are secretly plush prostitutes. They are successively called by a mysterious person to have sex with three different men and assuage their weird fantasies.

Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

Among his friends in the imperial Austro-Hungarian army, young lieutenant Ferdinand has the reputation of being a real Casanova. Unfortunately for our friend, this reputation is far from the truth, for in reality he has never had any sexual experience at all. The night before his wedding, he decides to go to a brothel where the Madame will introduce him to the joys of life...

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Sam–a non-binary mid 20s sex worker–navigates romantic, sociality and an impending pregnancy-related decision over the course of a weekend in New York City.

"A vivid, exciting look at the lives of vulnerable young girls who are hustled into the promised land of professional glamour"

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

A film with Rita Magdalena.

Forty tons is no burden for Bruno. When he climbs into his truck and drives along Brandenburg's roads, he feels free. It's different at home. Bruno is a good husband. And a loving father. But the burden of family life weighs heavily on his shoulders. As often as he can, he escapes to his driver's cab. Then Ricky crosses his path. This encounter throws his life completely into question. He has to decide whether he wants to continue living his old life or start all over again.

Two Florida high school vixens hatch a murderous plan to win an inheritance, but they hadn't bargained for an escalating whirlpool of blackmail and sexual games with a sleazy insurance investigator who has his own plans for the money.

Johnny Truelove likes to see himself as tough. He's the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don't go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his 'gang' kidnap Jake's 15 year old brother and holds him hostage. Problem now is what to do with 'stolen boy?'