(R)ojo por (R)ojo

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

A film producer must convince his misogynistic long-time colleague, the film director, to opt for the feminist costume for the superhero film they are developing.

A former pageant queen embarks on an all-night adventure with four unlikely friends she meets at a women's shelter.

Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good.

A heavyset woman who keeps being harassed by her aerobics instructor and her attempts to get even with him on a Body Beautiful contest.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

The South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

'Trailblazers in Habits' is an intimate portrait of a group of American Catholic nuns, the Maryknoll Sisters, who have accompanied the disenfranchised in their struggle for social justice. By turns tragic and joyous, yet always inspirational, this insightful documentary is a revealing portrait of these courageous women. A moving and absorbing chronicle that spans 100 years and several continents, the film celebrates the intelligence and tenacity; the love, compassion and generosity of these early feminists.

The story of the struggle for the women's vote is much more than just the account of the exploits of Emmeline Pankhurst or the tragic fate of Emily Davidson. Lucy Worsley puts herself at the heart of the drama, alongside a group of astonishing young working class suffragettes who decided to go against every rule and expectation that British Edwardian society (1901-1910) had about them…

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

Les Princes

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

Amina, Djeneba and Zineb are three inseparable teenagers who find themselves in hot water when they post a video on social networks identifying an assailant who attacked one of the three. The video draws a public outcry, and they will have to choose between continuing their fight or giving in to pressure.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities. The young woman really only “emerges” in her fantasies, where she can escape from her dull, normal life.

A cautionary tale about what happens to men who underestimate women in the horror genre.

"Man in Red Bandana" is about Welles Remy Crowther, an extraordinary 9/11 hero. However, how his heroics became known is even more remarkable. Eight months after the disaster, his parents learned about how their son spent his last hour due to an ordinary object ... a red bandana. This revelation dramatically shifts their perspective on their loss. After hearing his remarkable story and how it unfolds, viewers will see how the actions of one man have touched 1,000s. This inspirational segment of the film depicts the unique, diverse and folklore ways that Welles is honored throughout the United States including in art, sports and song. Even President Barack Obama pays homage to this young man in the film. Our uplifting ending culminates in the revelation of a secret about Welles that can only be described as "perfect".

A girl decides that she will only date married men, and she runs into a bachelor who tells women that he is married in order to avoid long-term commitments.

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.