We Are Perfect

An animated documentary that speaks to immigrants' personal experiences living in Aotearoa, exploring themes of racism, discrimination, loss, loneliness, and maintaining cultural ties while living in another country.

Through personal stories, the documentary approaches the issues of gender identity and legal gender recognition in Greece. The three main characters explain how society has treated them, by narrating their experiences from the past and the present.

Tien is the first Asian trans man to publicly come out in the Vancouver, then, gay and lesbian community of 2001. In this profound and inspiring film, Tien shares his story as a trailblazing, racialised, transgender immigrant and his journey to discovering his true purpose in life — cultivating and becoming joy.

Cinema Fouad is a documentary portrait of Khaled El Kurdi, a Syrian trans woman living in Beirut, where she earns a living as a domestic worker and belly dancer. Soueid shows us scenes of El Kurdi’s domestic world: eating, applying make-up, dancing in her bedroom, all while reflecting on her life and experiences. She expresses her desire to undergo gender reassignment surgery, and mourns the death of her lover, a Palestinian freedom fighter. She often alludes to the aggressions she faces outside of her home, and through her adept defiance in the face of some of Soueid’s more goading questions, we recognize the echoing of these aggressions in his role as interviewer.

A look on transvestites and transsexuals in early 80's Paris. The documentary focuses on Elisa, a Brazilian transvestite and ends with a filming of a surgical operation male to female.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

An intimate, collaborative documentary told through the dual perspectives of Adam, a transgender teen, and his mother, visual artist Amy Jenkins, that offers an authentic and tender counterpoint to the hostility facing trans youth today. Adam’s journey balances the milestones of gender transition with the rhythms of adolescence. As Adam asserts his identity and steps out into the world, his parents grapple with the challenges of raising a teen while learning to let go. Through a visually poetic approach, the film transforms a deeply personal archive, collected over two decades, into a powerful, joyful testament to the beauty and difficulty of reckoning with profound change.

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.

Max is gender non-conforming and gives birth to River, who they are raising gender-neutral until River can express their own identity.

In a small village in the south of the Bohemian-Moravian Highlands, filmmaker Kateřina Turečková meets 16-year-old Ben, interested in learning about their newly discovered trans identity in person. Ben seeks refuge for their true feelings in cyberspace, finding moments of happiness by using green-screen technology to imagine their possible future. The film indirectly captures the (mis)understanding and (non-)acceptance Ben faces at school, its focused insight rounded out by the filmmaker’s interviews with Ben’s mother and sister, who inadvertently embody everything Ben hates about themself.

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

Márcia Antonelli: Das Palavras à Sobrevivência

Amidst the Colombian Andes, a group of trans women from the Embera Chami community make their way into the international fashion scene, empowered through artistic collaboration and creation while preserving their spiritual heritage and ancestral connection to their territory.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

This short documentary explores homophobic language and its consequences among teenagers. Name-calling and cruel language hurt, say the teens who speak in this video. Homophobic language is a common verbal put-down among young people, but many adults feel uncomfortable responding. This video is a tool for teachers, counsellors and youth groups to explore the origins of the words, how young people feel about them and how to overcome the pain they cause.

Documentary about behind the scenes of Pabllo Vittar's highly anticipated show at the first edition of The Town, in São Paulo.

Mini documentary about the recently launched girl group from São Paulo, Katy da Voz e as Abusadas, in a concert at Zig Studio.

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

In a world where technology and humanity intertwine, Tiffany, a self-aware feminist "sex robot", embarks on a journey of self-discovery. Conversing with leading experts, Tiffany confronts the issues that have shaped her design and asks about queerness concerning sex tech.

Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.