treefolk

Jesus Culture - We Cry Out

Grosse Baston Partie 21

"Temazcal, the documentary" is the final result of over a year of collecting audiovisual material from the emerging Seville-based band Cuñados Invisibles. It offers a look through videos, images, and interviews at what it's like to form a music group from scratch, as well as the creation process of their first album, "Temazcal".

Casablanca emerged from a sensitive look (and listening) from a characteristic place on 3rd street in the center of Goiânia. With a territorial approach through a biographical perspective, the documentary tells the storys of the lives of Zardos and Iara that today allow places like Casablanca to continue to exist in a big city. On Thursdays, at 8 pm, what during the week was just a pizzeria, becomes an environment where bolero goes beyond the corners.

The official first ever solo concert of the filipino girl group BINI since debut after three years. BINIverse: The First Solo Concert was BINI's debut solo concert held on April 8, 2022, at the Smart Araneta Coliseum in Quezon City, Philippines. The concert showcased the Filipino girl group's talents, performing hits like "Born to Win," "Kabawi," and "Lagi."

The Tenant continuously fails to escape his deadly apartment under five minute time limit as his blood-thirsty neighbor threatens to break in and exterminate him.

ayumi hamasaki concert tour 2000 Vol.1 is Hamasaki Ayumi's first live concert video. The final show, on June 3rd, was broadcasted live on Sky PerfecTV.

A self-funded, non-profit feature documentary exploring and celebrating Liverpool's contemporary independent music scene at the beginning of the 21st century, featuring interviews with Kevin McManus (Liverpool Vision), David Pichilingi (Liverpool Sound City), Craig Pennington (Bido Lito), Paul Du Noyer (NME and Mojo Magazine), David Lloyd (Seven Streets), Peter Guy (GIT Awards and Liverpool Echo), Mike Deane (Liverpool Music Week) and David McTague (Africa Oye).

Koda Kumi's Anniversary event concert celebrating her 21st Anniversary

Suzanne is waking up. In the fleeting moments before she forgets her dreams, she searches her subconscious for an answer to the question on the tip of her tongue. But can Suzanne learn to break free of her suspended state of being? Inspired by the Edward Hopper painting 'Morning Sun.'

Ten years of hard work have made the young Arod Quartet one of the most brilliant of its generation. For it takes years to blend together 4 individual talents into one. Their repertoire is ranging from Mozart to Bartok, Debussy to Kurtág.

A closer look at the new album before the world premiere of the “Lover” music video, including an exclusive live performance and Q&A

At a music academy, veteran Professor Victor faces challenges as he prepares to conduct his final concert with a choir of children who lack passion for music. The arrival of the academy director complicates matters, and Victor learns of his dismissal just before the performance. Determined to overcome adversity, Victor, with the help of former student Angelica and the child Albert, manages to lead the choir to a heartfelt performance, rekindling their connection with music.

A woman in her daily life at home. A ballerina practicing her art. Realities mix in a remembrance of an irretrievable time.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

KODA KUMI 20th ANNIVERSARY TOUR 2020 MY NAME IS ... is the 20th live video released by Koda Kumi and 29th video release.

Concert film featuring Koda Kumi's DNA Live Tour 2018 filmed at Kanagawa Kenmin Hall on November 13, 2018.

A self-funded, non-profit feature documentary exploring and celebrating Iceland’s contemporary independent music scene at the beginning of the 21st century. Featuring music by Ólafur Arnalds, Seabear, DJ Musician, Hafdis Huld, Berndsen, Mugison, Lara Runars, Severed Crotch and others.

A self-funded, non-profit feature documentary exploring and celebrating Manchester's contemporary independent music scene at the beginning of the 21st century.

Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.