Lipstick

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Robert, an ex-shipyard welder from Govan in Glasgow, reflects on how his experiences have influenced his compulsion to write.

Margreth Olin has filmed 22 persons i their meeting with the well known voluntary healer Joralf Gjerstad. For 65 years more than 50.000 has gone to him to be healed from illnesses and ill-doings. He has never asked for a penny for this

Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.

Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.

An documentary exploring what the city of Liverpool means to the people who call it home.

The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. "Taiga" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people.

In Out Of The Rubble, Woolcock shows how planners grappled with the grimmest poverty imaginable in the post-war era, from Brixton to Glasgow, Islington to Birmingham, believing that tower blocks would transform the lives of those living in decaying slums. She follows the cycle of optimism, building and eventual decline, meeting people who 50 years on bear witness to the effects of housing on real families, striking a contemporary chord with the theme of immigration and gentrification affecting working class communities. The irresistible nostalgia of scenes from the 1950s, 60s and 70s is tempered by a realisation of the force of history at work.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Ukraine's topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.

The most controversial political commentator of our day, and the author of three New York Times bestsellers, Coulter has a mad-cap mouth and an allergy to political correctness. But who is the woman behind the stinging barb and the quick wit? And what does she really believe when you strip off the rhetoric? This film takes you behind the bombast through original interviews with the woman Al Franken calls the reigning diva of the hysterical right—and who George magazine selected as one of the twenty most fascinating women in politics.

Jack & Pete Tell it All is a documentary about how creativity, family, faith, and risk took a small cave in the Ozarks from a regional anomaly to one of America's largest family owned entertainment companies, known today as Herschend Enterprises. Shot on location at both Dollywood and Silver Dollar City in the fall and spring of 2016 and 2017, the film follows the stories as told by the brothers Jack and Pete Herschend; their wives, Sherry and JoDee; and the many others who were there in the early days of the company's inception. It's a celebration of the American spirit, Ozark ingenuity, love and humble beginnings...and serves as an inspiration even today.

Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

When March of 1971 knocked on the door, a military intervention was imminent in the country. Bombs were exploding in a strange way from right to left, and the urban guerrilla was resorting to unconventional acts such as bank robbery and kidnapping. The generals had decided to put a stop to this trend. Dynamite was placed under Prime Minister Demirel. The question now was who would ignite the fuse of the dynamite. President Sunay was waiting to watch the approaching explosion silently from Çankaya. Tuğmaç, Chief of General Staff, tried to delay the explosion as much as possible, preferring Demirel to self-destruct. The two generals were watching each other to see who would ignite the fuse first. These two generals were Faruk Gürler and Muhsin Batur. The fire was in their hands. They were going to detonate the dynamite...

An 88-Minute documentary about how Jackie Chan broke the mold (and his bones) with his daring choreography in the 1980s.