Lipstick

A documentary that focuses on the craftspeople who continue to make salt with a technique called Agehama-shiki that has been passed down since ancient times, and the lush natural environment of the northernmost tip of the Noto Peninsula in Ishikawa Prefecture. It is also the feature-length debut of director Ishii Kaori. The process of making salt by collecting sea water and boiling it in a hiragama cauldron temporarily died out during the period of Japan's rapid economic growth following World War II, but one family's efforts to keep it alive has miraculously ensured its continuation. Salt is a vital element of people's lives. The saltmaking artisans who perpetuate their traditions represent a way forward for those of us living in this modern age.

Notes about identity

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help. With the Idle No More movement making front page headlines, this film provides background and context for one aspect of the growing crisis.

Fate brings a young woman to idyllic Karelia in Russia, near the Russian-Finnish border. She meets an old woman, Santra, who represents the only remaining link to the Karelian culture of her ancestors. This film is about the difficulty and beauty of finding a home.

A short documentary covering the conclave and election of Pope Pius XII.

A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

11 septembre : En direct du cockpit

Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.

Tara was built by John Bergeron back in 2003 and 2004. John was trying to bootstrap the android industry just as I have been trying to do. She is a bit primitive but that is to be expected given the tiny budget available to John. In 2004 John made a music video of Tara singing. Some folks think its creepy, but I think its just a little spooky.

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Some 1960s hackers known as phone phreaks found a way to avoid long-distance charges. Two of those phreaks just happened to be students named Steve Wozniak and Steve Jobs.