It Ain't As Easy As It Looks... (...a.k.a. the Making of 'The Cat's Meow')

To the WWE Universe, Shawn Michaels made every match he competed in feel like a main event. No matter the time or the place, when The Showstopper stepped inside the ring, he delivered a performance unlike any other. Now for the first time ever, WWE Home Video dives deep into the archives to bring the WWE Universe never-before-released matches spanning the entire career of “The Heartbreak Kid.”

Documentary film written by music critic Artemiy Troitskiy. It depicts the variety of Soviet and Baltic rock music and offers its viewer an idea that all this forbidden music is not really dangerous for society. Featuring music bands: "Круиз" (Tambov), "In Spe" (Estonia), "Новый мир" (Estonian hard-rock), "Великие Луки" (punk-rock from Tallinn). Moscow music scene represented by: "Тупые", "Нюанс", "Звуки Му". Leningrad music scene: "Джунгли", "Алиса". Also appearing: "Воплі Відоплясова" from Kiev and "Антис" from Lithuania. Not credited: Roman Neumoev with "Инструкция по выживанию" and Oleg Sudakov with "Гражданская оборона".

A look at the day-to-day running of the historic Tower of London and coping with up to 16,000 visitors each day. A stunning display of the Crown Jewels.

The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.

How does love fill your life? What is your perspective on love? (not)betrayed by love recognizes that there are several truths about love Is your love fragile, full of loneliness or full of life?

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.

The ocean is the origin of creation. We simply wouldn't be here without it. In this poetic short film, we explore our relationship with it, allowing the ocean to speak to us, while wondering how we can best respond to the questions it makes us ponder. Will we ever be able to change our destructive behavior towards its environment? Perhaps we can only do so by understanding our relationship with it and remembering the deep connection we seem to have forgotten about.

In this immersive documentary, Winston Stairs invites the audience on a soul-soothing expedition into the world of hiking. Winston’s adventurous spirit guides the viewer through the forests of Ontario, sharing in the enchanting beauty of nature. Through breathtaking landscapes and personal reflections, the film captures Winston's profound love for hiking as more than a mere pastime—it becomes a transformative experience that welcomes self-discovery and a strong relationship with our environment. Join Winston on this inspirational trek, where every step reflects the joys of exploring and the tranquil side of our planet.

Abused by her family, forced into marriage, raped, pregnant at 13 then hunted down for violating her family’s honour. This is the shocking, compelling true story of Sameem’s struggle to break free from her past and fight back against her upbringing.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased homophobia, sexual discrimination and repression of gays.

Debris is a 25 minute film made in collaboration with the National September 11th Memorial and Museum. This documentary tells the story of September 11th, 2001 using bystander footage, source audio and newly composed music. Some of what you'll see may seem familiar - but certain events in Debris have rarely been viewed by the public.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

About the black community in Ladbroke Grove and Notting Hill which grew up in the 1950s. “No Irish, no coloured, no dogs" read the rooms-to-let signs in what was already a decaying inner area of London. In the Grove black people had to face the brunt of a crude and brutal racism and a grassroots defence was organised against white racist attacks in 1958, to become part of the more general community resistance. And that strength was reflected in the emergence of several major 'Black Power' organisations. Since the 1960s the vital sense of black community which developed in the Grove has resisted attempts to disperse and weaken the community and in particular the attempt to suppress the annual Carnival - the major Afro-Caribbean event in Britain.

An NHS nurse of twenty years reflects on a challenging and strenuous career as time dwindles to her retirement.

A road safety film for pedestrians in city traffic. Demonstrates typical unsafe practices.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.

On the coast of the Arctic Ocean of Chukotka live people cut off from the world. Their life revolves around hunting walruses and whales and protecting villages from bears coming from the tundra. This turns the film into a reflection on death. Marine animals become the food of people, animal leftovers are used to feed arctic foxes on a fur farm, human cemeteries become prey for bears. It seems that all the inhabitants of these places are involved in the cycle of food and death. The film departs from the usual rhythmic structure of cinema, being built on the principle of a shamanic ritual, a meaning-forming event for northern peoples.

Fabinho