Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
Every town has a devil. For the small community of Braxton, that devil is Tommy Miller. A bullied and tormented teen who finally snapped, killing his friends and family at the annual Braxton town hall party, Miller escaped into the woods, never to be seen or heard from again. Until now. Ten years later, a group of fresh-faced teens find themselves targeted by a masked man in a hooded cloak. It's up to Detective Ryan Fenton and his fish-out-of-water partner to protect the town from Miller's clutches; there's just one issue - Ryan himself is a survivor of the original massacre. Is Miller opening up a new chapter, or has he returned to attend to some unfinished business?
After failing to kill stubborn survivor Laurie and taking a bullet or six from former psychiatrist Dr. Sam Loomis, Michael Myers has followed Laurie to the Haddonfield Memorial Hospital, where she's been admitted for Myers' attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs and slashes his way through hospital staff to reach his favorite victim.
Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.
Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
A man's past trauma resurfaces due to the disturbance caused by a young child.
Emma is a young girl hunted by a monster in her dreams that leaked from reality.
Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.
Tina Shepard, a telekinetic teenage girl, accidentally unchains Jason from his watery grave, allowing him to go on another killing spree in the area.
Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?
Melvin, a teenager, returns to his past in an attempt to remember who he truly was after feeling he left himself behind. He confronts his teenage and childhood selves to reflect on the pains and changes of growing up, realizing that "growing up means losing and leaving behind versions of ourselves." A nostalgic and reflective journey about time, childhood, and accepting the constantly changing self.
While treating a policewoman for smoking, hypnotherapist Michael Strother has a telepathic vision of a young girl floating beneath the surface of a stream. The escaped victim of a ritualistic serial killer, the girl has become mute, and Michael is called upon by Scotland Yard to unlock the secrets she holds in order to catch a man who believes he has discovered the key to immortality.
In the upscale Toronto strip club Exotica, dancer Christina is visited nightly by the obsessive Francis, a depressed tax auditor. Her ex-boyfriend, the club's MC, Eric, still jealously pines for her even as he introduces her onstage, but Eric is having his own relationship problems with the club's female owner. Thomas, a mysterious pet-shop owner, is about to become unexpectedly involved in their lives.
After surviving a car accident, thirteen-year-old Edvin isolates himself from friends and family. When his father forces him to go to rehabilitation, he can no longer avoid dealing with his trauma.
A Psychotherapist investigates a cult that takes over an Arizona town in 1993.
A closeted trans man struggles with the fear of feeling unloved if he comes out, forcing him to hide his true self.
El Cuerpo de Lili
Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.