Deadline

A married man on a business trip checks into a hotel. The hotel manager’s daughter falls for him at first sight. Rejected by the man, she embarks on a journey of revenge...

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

This bone-chilling minimalistic animation film (made with black, white and red colors only) is voiced by the director herself, the Australian illustrator Anita Lester, whose grand-aunt had lost her entire family in Nazi camps and has then gone mad. Her confused, distorted, extrapolated memories full of despair and horror, of mysterious interiors and someone’s eyes, became the foundation of this impressive conceptual short film.

Rupert, a ten year old boy, falls hopelessly in love for the first time. When it all goes terribly wrong, he wishes never to experience heartache again. Turning to a book of magic, he invokes a spell to shield him from emotion forever.

The story of a tiny Egg-girl who is forced to serve the evil Boar-like witch Baba Yaga. But after a blob of Dough comes to life, she befriends him and both escape from the witch's home at a Water mill on a cliff and set off to see the world. The soundtrack is Joe Hisaishi's arrangement of Vivaldi's La Folia

Labuntina "Halloween"

A dachshund on a leash pulls his master forward, despite all the barriers that occur on their way. The dachshund thinks that he pulls not his master but something huge and heavy.

Tout conte fait

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

Camille is about to take a bath when a child appears and questions the identity she has built up until now. After having a talk with whom she should have become, she fully embraces the doubts and issues that come with the construction of one’s unique identity.

A topsy-turvy world.

Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.

100 papiers

Greed and hierarchy in the Caribbean reefs.

A stop motion film about an oddball felted character who slips through floors into the past and the deepest parts of his psyche in his pursuit of self-understanding.

Sonja lives a lonely life as a fishmonger, more at ease with her fish than her customers, until one day a delivery man turns up who looks like a rainbow trout.

A cardboard world where monkeys steal pickles and buildings change themselves. The film is a visualization of the city's rapidly changing neighborhoods, that still hold charm in the shop keepers and street musicians.

Theodore Ushev’s acclaimed 20th century trilogy concludes with this brilliant fusion of 3D and Russian constructivist-styled animation. Recycling elements of surrealism and cubism, this animated short by Theodore Ushev focuses on the relationship between art and war. Propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7), the film presents imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to Star Wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.