A Chorus of Disapproval

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

The Demented Cartoon Movie! is a 2001 Flash cartoon written, directed, drawn, animated, created, recorded, conceived of, responsibility claimed, filmed, edited, converted to standard transport elephant zucchini format and converted back again by Brian Kendall.

The residents of a small Vermont town don't know what hit them when a beleaguered Hollywood film crew brings a chaotic shoot to their quaint village.

A small-town, country doctor has been a widow for two years but is still in love with her dead husband, Michael. The week-long county fair is approaching and her father-in-law traps her into an unfair deal involving the feeding of her bull in return for her attendance at the fair with a suitable escort. She decides to call his bluff by hiring a male escort to attend the fair as her lover. However, things don't go quite according to plan as he smells a rat!

In small-town Texas, affable and popular mortician Bernie Tiede strikes up a friendship with Marjorie Nugent, a wealthy widow well known for her sour attitude. When she becomes controlling and abusive, Bernie goes to great lengths to remove himself from her grasp.

A priest stationed in Tipperary, Ireland, is eager to return to Rome. Told he cannot do so until he has raised enough money for the building of a new church, he decides to open a cinema in the local town.

Set in real-time over the opening night of a troubled production of Hamlet: a cast of narcissistic actors, incompetent stage-crew and a megalomaniac director collide behind-the-scenes of the ongoing show to give the audience a night they'll never forget.

In search of the archival, Carmen-Sibha Keiso re­-imagines theatre and film through personal narrative in her conceptual debut: Love & Fascism In The 21st Century. "... if Rappaport was in an art school." - Ferran Pla

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

A sealed ancient Mayan cave would be blown open unleashing Xtabai to wreak havoc on the world and destroy civilization. She begins by infecting the inhabitants of a nearby village with a terrible and deadly fever. The government responds by placing the village under quarantine. A team of students along with their teacher escape into the jungle to find a cure, guided only by a dream. They go deep into the bowels of the Mayan underworld, hunted by Xtabai herself. Will they ultimately succeed in defeating the evil Xtabai and saving mankind from her curse? How many will live to tell the tale?

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

Mario is the son of a rich couple, but he lives in constant conflict with his family. In a beauty salon, he meets the beautiful Glória and the hairdresser Gustavo, with whom he becomes friends and gets closer and closer. However, the guys' relationship can be more than just friendship.

Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.

Liisa and the renowned composer Raimo Kaarna are fond of each other, but in Kaarna's family history, everyone does not accept the relationship. In addition, Liisa has her own doubts, and a secret that does not endure the daylight.